Few debut albums reach the commercial success a-ha had with Hunting High And Low, yet I dismissed it as just another campy 80s synth-pop release that wasn’t worth exploring. Well, dear reader, I was wrong, but you have to promise not to tell my better half as she has always enjoyed a-ha and whenever she spoke about them my sarcastic response was a-ha, yeah, a-ha! Don’t worry, I did the same with Wham!, yet I absolutely adore their music today. Many who know me well know that I can be fickle, but I also feel that we should never be entirely closed off to experiencing new music, outside of our comfort zones, for one never knows just where that experience can lead. In this case, it has led to a true appreciation of a band that I had previously ignored.
Thanks, in part, to streaming, one can now explore a world of music beyond their own tastes and Apple Music’s 2015 Remastered Version, also Mastered for iTunes, is sonically pleasing without a single digital artefact to worry about. Remastering often gets a bad wrap, even here on Subjective Sounds, and while I can’t comment on how the album originally sounded, this Apple Music stream sounds just right. While I’m keenly interested in picking up Hunting High And Low on vinyl, along with their career perspective, Headlines And Deadlines: The Hits Of A-Ha, I’d be perfectly satisfied with this digital stream. It’s really that good!
Take On Me may be a-ha’s most successful song, but it is also the campiest and the one which probably kept me at arm’s length for so many years. It isn’t bad, but I do feel that it has been excessively played and that can, unfortunately, create boredom and disdain for an otherwise solid song. All one needs to do is look at how loathed Celine Dion’s My Heart Will Go On and Aerosmith’s I Don’t Want To Miss A Thing are to know that overplaying of a song can ruin it.
Hunting High And Low is absolutely stunning. While stylistically different from the first two tracks, Hunting High And Low sounds familiar while taking a-ha in a completely different direction musically, showing just how talented these musicians are.
The Blue Sky returns the album to a more synth-pop styling and while solid, I’d class it as a B-side. It has a sound that is very alternative and one which I feel takes a few listens to fully appreciate. Still, it isn’t the strongest song on the album, but there is a solid tune hidden here, if only the tempo was shifted a little and the lyrical delivery was more in-line with the musicality.
Living A Boy’s Adventure Tale is great! You’ll want to turn the volume up when listening to this. The soundstage is incredible and that initial gradual build is extremely compelling.
The Sun Always Shines On T.V. is one of my favourite songs on the album. Yes, it is borderline campy, just as Take On Me is, but it has been played to a less excessive degree. Plus, it rocks! Turn that volume up and you’ll be amazed at just how enjoyable The Sun Always Shines On T.V. is. It’s a stadium filler if there ever was one.
And You Tell Me isn’t a bad ballad-styled track, but I’m unsure how I really feel about it. In one way I thoroughly enjoy it, but in another I question myself as to why. I also feel it is a little too short. Nevertheless, Hunting High And Low wouldn’t be the same without it.
Love Is Reason is a classic B-side. It isn’t bad, but that repetitive chorus does become tiresome. Great musicality, however.
I Dream Myself Alive is a solid tune. Nothing to write home about, but worthy of inclusion.
Here I Stand And Face The Rain has a very unique opening with the vocal delivery. I do thoroughly enjoy the acoustic styling, however, when the synth elements enter the mix, they do so in a manner that is complementary, thereby ensuring fluidity. Without a doubt, Here I Stand And Face The Rain compels me to listen to Hunting High And Low again and stay within a-ha’s catalogue of music; exactly what a closing song should compel the listener to do.
Overall, Hunting High And Low is an incredible debut and an album that represents some of the very best music in both the synth-pop and new wave eras. Yes, it retains an 80s feel, but that isn’t necessarily a bad thing and to be completely honest, the album hasn’t aged nearly as badly as one would have thought.