Music lovers will appreciate that moment when you find, and add, an exceptional new artist to one’s collection. It is a rare event and is akin to finding a needle in a haystack. Well, I may have just found that needle, thanks to Michael Fremer’s Analog Planet post: Meet Sophia Pfister.
Pfister has one of the most remarkable female voices that I have ever had the privilege of hearing. Amazingly, this EP is her first release and to find such control from a debut, especially from an unsigned artist, is quite a rare occurrence.
I have been listening to the 5-song EP on TIDAL Hi-Fi, over the last couple of weeks, and it has rarely been turned off. I have been so impressed that I intend order the vinyl release that is limited to 200 copies, with only 60 left at the time of writing this review. Memo to self: Order this EP, NOW!
As a singer/songwriter/musician, Pfister is incredibly talented and part of the appeal is in the simplicity of her music. That isn’t to suggest that it isn’t evolved, in-fact it is incredibly deep and complex, but what I find makes the best groove, jazz, folk, and country-styled recordings is keeping the musicality at the forefront of the experience, in which this recording certainly does. For instance, you will sway elegantly with Faded Tatto and tap your foot along with Los Angeles. It is truly difficult to sit still when listening to this EP. I have found that it is a perfect album to listen to on my daily walk. This EP is also mastered beautifully and is not taxing to the listener. It sounds perfect on my main setup and with headphones. Bottom line: I just want more. Seriously, Sophia, the world needs a complete album. However, for now, we need to be satisfied with the EP.
Let’s take a look at the songs:
Los Angeles starts off with a moody beat that I simply adore, before Pfister’s incredibly smooth, yet gritty, vocal kicks in. The song is presented in a spoken-word style that reminds me of Johnny Cash or Lou Reed, but naturally smoother. This style really works for Pfister’s vocals and is a reoccurring style throughout the EP. I can honestly listen to this song on repeat, without tiring of it.
Snakes has a lovely jazzy feel and the inclusion of the wind instruments throughout is perfect. Sonically this song is quite busy, but there is nothing I would remove. While regular readers know that I don’t listen to music specifically from the aspect of song meaning, I’m glad to see that Pfister’s vocals are prominent throughout, except on the track Sugardaddy.
New Mexico takes a slight pop/country shift and shows that Pfister can handle a number of different genres with ease. The chorus in this song is slow toe tapping and head bopping bliss.
Sugardaddy is probably the only song that I’m not smitten over. I have a love/hate relationship with the banjo. To me, the instrument is a little too jarring and while it doesn’t destroy this song, a levelling down of the banjo tracking, especially during the chorus, would have made it more appealing as I feel Pfister’s vocals and other background instruments are simply overpowered by the banjo.
Faded Tatto is harmoniously gorgeous. I love the background instrumental aspects. Subtle, but sonically appealing. It is a perfect song to end the EP on.
This self-titled EP is incredibly soothing and while much of that is to do with Pfister’s beautiful tones, her talent as a musician and song writer cannot be overlooked. Let’s hope we see a full album release in the not too distant future.