Have you ever come across an album that you love to hate? Well, Foxygen’s …And Star Power is just that as I am continuously torn over my interest in the album. While I thoroughly enjoy many of the tracks on this album, there are some that just defy all logic. In many ways, I feel that this album is perfectly suited for digital delivery, in any digital format, as there are songs that I would simply prefer to bypass with the tap of a button. That said, I still find myself in a quandary as to whether or not I should purchase the vinyl edition. I honestly don’t think I have ever been so torn over the appreciation of an album.

Before we begin with the individual song overview, I want to acknowledge how much I appreciate the album artwork. I feel in many ways that this presentation deserves to be owned on vinyl. The frame as a window into another world is exceptional. Besides a vinyl release, Foxygen have also released the album on cassette. It is packaged in a double cassette case that reminds me of the copy of Elton John’s The Very Best Of Elton John I owned in the 90s. While that album is long out of print, it was reissued by Universal on vinyl a couple of years ago and I was able to secure a copy. If you only purchase one Elton John album, make it that one as it is exceptional and truly highlights his career. I would love to see cassettes to return, just as vinyl has, but I will be content to have a small collection by alternative artists that choose to use the format for artistic purposes.

Foxygen’s style is true indi-rock and very alternative. They have a truly unique sound and with all the listening I have done in my life, I don’t believe that any band has perplexed me as much as Foxygen. Nevertheless, let’s take a look at the songs and see if I will indeed end up purchasing the vinyl edition.

Star Power Airlines has a highly distorted introduction that reminds me of any garage-style band from the late 60s and early 70s. It is a confusing song that is very short and I’m not sure if I like it, but it intrigues me enough to keep listening.

How Can You Really is a pop-infused 70s-style track with a uniquely modern style. The beat is addictive and it would be fair to say that I thoroughly enjoy this track. It is toe tapping and head bopping bliss.

Coulda Been My Love is an absolutely gorgeous song that has harmonious vocal elements overlayed against a core piano backing. The mix of these elements, and the pop-infusion, makes this song very appealing. When I listen to this song, I immediately think of Motown records in the 70s due to the styling applied. It is exceptional, although the ending spoken/radio-esk element is distracting and a little overkill.

Cosmic Vibrations is an exceptional song that is so simple, yet so multi-layered that you will find new elements within the song every time you listen. It has a Nick Cave & The Bad Seeds moody feel to it. I simply love this song!

You & I is a song that makes me think of John and Julian Lennon and their vocal styles. It is a lovely song that I truly enjoy listening to.

Star Power I: Overture has a beat and style that makes me want to turn the volume up to 11 so that I can be completely encased in this experimental sonic wonderland.

Star Power II: Star Power Nite returns to the chaos that was first experienced on Star Power Airlines. It is very erratic and I find my mind is confused with regards to how to react to the music.

Star Power III: What Are We Good For is similarly confusing in its musicality. I simply don’t enjoy the entrance to this track and the chorus is just weird. Although, the song does get better throughout, but your body really doesn’t know how to respond to what it’s hearing. This is a indi/alternative style that I can respect, but I’ve never truly understood.

Star Power IV: Ooh Ooh has some lovely vocal harmonies that remove the stigma of the last two tracks. That said, the styling of this song is different, but I like it!

I Don’t Have Anything/The Gate is a song that I am simply unsure about. I like elements of the song, but there are also elements that I don’t appreciate. The musical elements in the second half of the song are really appealing, but the vocal distortion is a real distraction to my mind. That said, I truly think this is one of those songs that will grow on me.

Mattress Warehouse has an addictive beat that will get your body moving. It is unlike any song I have heard before and that is a testament to the uniqueness of Foxygen. It is also one of the reasons why I keep returning to this album, despite my love/hate relationship with it. In all honesty, this song is likely my favourite track on the album.

666 is quite an interesting track that could be classed as punk-pop in styling. It is a fun song that works well with the flow of the album.

Flowers is a song that I consider to be Beatles-esk. It just has that experimental sound and beat that is addictive and intriguing at the same time. I love it!

Wally’s Farm reminds me of a b-grade movie soundtrack. Believe it or not, that is a compliment!

Cannibal Holocaust is a song that I just can’t find the groove to. The vocals are very distant in the mix and while this is most likely intentional, I’m not sure it works. Interestingly, an enjoyable groove becomes apparent midway through the song, but by that stage I am a little shell shocked and expect it to return to the previous confused state at any moment.

Hot Summer is a song I really enjoy. The sonic elements just work.

Cold Winter/Freedom has an eerie intro. In-fact, the entire song really doesn’t go beyond the introduction. The music reminds me of a record being played backwards, in search of the hidden meaning. It is enjoyable in a weird way that I simply cannot explain in words. Then, as many of Foxgen’s songs do, the song changes pace and purpose midway through the track. It is certainly an interesting dichotomy.

Can’t Contextualize My Mind reminds me of early Rolling Stones stuff, pre-Sympathy For The Devil. I like it! Although, the ending is a high screeching nightmare.

Brooklyn Police Station is a song that I like, but I’m not really sure what the appeal of it is. Although, it could be said that sometimes not knowing can be a good thing and one need not always understand music to enjoy it. That is certainly the case with regards to this song.

The Game is somewhat in the same category of appreciation as the song Brooklyn Police Station.

Freedom II has a groovy beat but the lyrical overlay is distracting. As an instrumental track, I feel it would be epic. Although, I love the vocal delivery in the final moments of the song.

Talk begins with a beautiful guitar introduction before all hell breaks loose. Unfortunately, it is a song that I don’t enjoy as my senses have been jolted by the sharp change in musical direction. The entrance to the track was just enough to get into a groove and the abrupt change was just cruel to listener.

Everyone Needs Love is incredibly soothing after Talk. My mind wants to relax and enjoy, but I am scared that the musical direction will change again and therefore I’m not letting myself become as immersed in the song as I would like. That said, it is an enjoyable song with a good beat that for some reason makes me think of Bobby Womack.

Hang is a good song to end the album on. It isn’t too left of the centre and is sombre enough to bring the album to a non-abrupt end–well, that’s if you ignore the final ten seconds.

...And Star Power is an intriguing album from start to finish, but I find it to be extremely fatiguing. By the time I have reached the end of the 80-minute album, I’m mentally exhausted and I find that I don’t want to listen to any music for a while, or repeat the album. Sometimes this feeling can be attributed to the mastering, but in this case I feel the mastering is excellent. I feel it is the constant change in musicality that is the reason behind the fatigue. That said, if the album was half the length, I feel I would have a very different opinion. It is important to note that the album is somewhat divided into four unique sections, but unfortunately that separation did not make it to the TIDAL Hi-Fi edition and TIDAL merely represents the album as a 24-track epic.

I also can’t help but wonder how the high-pitched elements would be presented on vinyl as I find digital music can often amplify the highs in music to ear piecing levels. As vinyl mastering is rather stringent, I would assume it could rein in some of these wild elements.

Overall, I find Foxygen’s …And Star Power to be an album, with a series of songs, that I thoroughly enjoy. Is it worth adding this album to my vinyl collection? I believe so. In-fact, the vinyl release could be beneficial with regards to the fatigue aspect as I can play the album one side at a time. I also feel that the album could be played in any order, similar to how I appreciate Sigur Rós album ().

…And Star Power is available for purchase on vinyl, cassette, and CD. It is also available for purchase digitally via iTunes and the TIDAL Store.

The album is also available for streaming on Apple Music.

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