Thus far, in my cycle of reviews to determine if I will pick up the soon-to-be-released Midnight Oil vinyl box set, I have determined that it would be a worthwhile addition to my collection. That said, Place Without A Postcard leaves me with mixed feelings as the band experimented with their tried and tested formula by introducing more pop elements into their songs.
Don't Wanna Be The One is a song that I have a love/hate relationship with. Yes, dear reader, I am once again questioning how a Midnight Oil song becomes a fan favourite. Okay, so there’s a good backbeat and there is nothing wrong with Garrett's vocal delivery, but I find the song to be too shrill in places. I also don’t connect with the song on an emotional level. I hear it, but I don't listen to it! I can assure you I have tried. I have listened to the original 1981, 1997 (as heard on 20,000 Watt R.S.L.), and 2008 masters and despite their different tonalities, none talk to me.
Brave Faces, by comparison, is a stronger song. It has an addictive rhythm and I just adore the instrumental backing to Garrett's vocals. Brave Faces should have been the album opener in my opinion.
Armistice Day is exceptional! It is arguably the best song on the album and one of the best in their catalogue. From the electric guitar introduction to the solid beat and Garrett's near A cappella vocal, it is nothing short of a perfect rock and roll song.
Someone Else To Blame, unfortunately, fails to maintain the high standard that can be heard on Armistice Day. It is filler! Nothing more, nothing less.
Basement Flat is a mixed bag as the vocal introduction and chorus are superb, along with the mid-song guitar solo. Yet, I find the verse to be rather irritating as I don't feel it helps the song progress either in literary terms or musically. That said, I do feel there is more good here than bad and subsequently Basement Flat is enjoyable to listen to.
Written In The Heart is a great song that, while pop/rock based, also pays homage to the punk origins of the band. As with many of their songs, the strength here is absolutely heard in the self-indulgent musicality.
I absolutely love the introduction of Burnie. Unfortunately, as the track progresses past the first minute, it becomes apparent that the song isn't as tight as it should be. It really sounds as though a demo tape was used to fill in the blanks of an otherwise exceptional performance.
Quinella Holiday isn't a bad song, but it isn't exceptional either.
Loves On Sale has a beautiful instrumental and vocal introduction but falls apart as the speed of the song and Garrett's vocals reach punk pace. While it isn't a bad song, it could have been so much better.
If Ned Kelly Was King should have never made it past the demo stage. It has some nice instrumental work, but no other aspect of the song appeals to me.
Lucky Country, as the final track on the album, does not encourage me to listen to the album again or stay within the Midnight Oil catalogue. I’d like to say something nice about it, but anything positive would be disingenuous. That said, perhaps we need substandard songs to ensure we fully appreciate the exceptional songs that Midnight Oil has given us over the years.
While Place Without A Postcard lacks the focus of their earlier albums. I'm not going to let a few B- sides prevent me from buying the re-issued vinyl collection when it is released. After all, the same scenario didn’t stop me buying Queen’s Studio Collection.
This review was based on listening to the 2008 remaster on TIDAL Hi-Fi. Interestingly, the original 1981 master is also available on TIDAL, but upon listening to it, I found it to be sonically concealed by comparison. That said, you may prefer it and therefore I suggest you listen to the edition that you subjectively prefer.