The 80s, in many respects, wasn't Elton John's finest decade, but amongst some of the pedestrian B-sides, there is a plentiful amount of stellar songs from his 80s catalogue that you simply have to listen to; some of which can be found on Breaking Hearts.
Breaking Hearts maintained John's classic era band lineup, just as Too Low For Zero did. Without a doubt, there is a level of musicality that feels familiar, harking back to John's 70s era, validating just how important a band can be to the sound of an artist. Yes, John has always been a solo act, with a backing band, but Elton John really could have been an all-inclusive band name, in a similar manner as Alice Cooper presented himself in the early 70s. While it’s understandable that these leading men wanted to branch out and achieve a level of creative freedom, not normally associated with a band lineup, both artists are renowned for their early albums that have stood the test of time and are now considered classics. One should then question if the band dynamic is such a bad thing. Although, don't suggest that to Rob Zombie as he still laments his period as the lead man for White Zombie. Call me sentimental but I like original lineups. It’s subsequently a shame that Breaking Hearts would be the final Elton John album to include the original band lineup. Yes, nothing lasts forever, but while it did, their collaborative efforts produced some of the greatest songs ever recorded.
Restless isn’t a bad song to start the album with. The groove is there, and that electric guitar draws you in, but it isn’t spectacular, sounding as though it was recorded against a click track. It simply sounds as though the band was going through the motions with this song, rather than jamming and improvising. A solid tune, but a missed opportunity.
Slow Down Georgie (She’s Poison) sounds like manufactured pop music. It isn’t necessarily bad, but it hardly shows off the songwriting talent of John and Bernie Taupin, not to mention the original band that collectively brought us so many masterpieces.
Who Wears These Shoes? is a little more fun than the preceding tracks, with a beat and lyrical hook that will see you toe-tapping, head-bopping, and singing along.
Breaking Hearts (Ain't What It Used To Be) is a beautiful ballad.
Li’l ‘Frigerator gives the listener a jolt, especially following such a relaxing ballad. Plus, that entry is just weird – likely trying to separate itself from Breaking Hearts (Ain't What It Used To Be). Regardless, once Li'l 'Frigerator gets going, it's a fun and thoroughly enjoyable song.
Passengers is brilliant. I have always loved it, ever since hearing it for the first time on John’s The Very Best Of compilation. It's quirky in places but is so much fun from the very first note. I do consider it one of John's greatest recordings.
In Neon is a lovely song and one which bemuses me as I ponder how a song this good is not more prominent in John's catalogue.
Burning Buildings blows my mind. It is that good! An absolutely sensational song that has gone largely unacknowledged over the years. I know John already has so many hits, he is an absolute legend, but Burning Buildings is just as good, if not better than many of the fan favourites.
Did He Shoot Her? is a thoroughly enjoyable pop/rock tune. It was never going to win any awards, but Breaking Hearts wouldn't be the same without it.
Sad Songs (Say So Much) is, as l’ve said before, a groovy song that isn't sad at all. It’s also a fantastic way to close Breaking Hearts and encourages me to listen to the album again and stay within John's catalogue.
Overall, Breaking Hearts is a solid release and one of John's best albums from the 80s. While the album was remastered in 2003, the version on Apple Music isn't specific, therefore making me wonder if it isn't simply the original CD mastering. I say that because sonically it’s a little flat while sounding somewhat concealed. Interestingly, however, the iTunes edition of Breaking Hearts is listed as remastered. It’s intriguing and I would love to know if they are different versions. Regardless, it isn't overly detrimental to the enjoyment of the album, but when you've heard the hits so many times, you know how they should sound.
Unfortunately, Breaking Hearts is not available on TIDAL Hi-Fi, so I'm unable to compare and offer any further opinions on the exact mastering used. What I can say with certainty, however, is that Breaking Hearts is not Mastered for iTunes, therefore making it more likely that the Apple Music edition may be sourced from the original CD mastering. Despite this, it’s still thoroughly enjoyable to listen to for this music-first audiophile.
If you prefer streaming, Breaking Hearts is available on Apple Music and Spotify.
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