Reg Strikes Back would arguably be the last mediocre Elton John album of the 80s, as the exceptional Sleeping With The Past was just around the corner. That said, there are a number of hits and essential back catalogue songs buried amongst John's cover-filled outfits to appeal to most fans. Yes, the colourful album cover is akin to a trip down memory lane and really deserves to be held on vinyl. Of course, if you’re after a vinyl release, you'll have to be satisfied with a secondhand copy as Reg Strikes Back has yet to be reissued on the format. It was, however, reissued on CD in 1998 and remastered at the same time. While most of John's remasters have been exceptional, it is the additional non-album songs that often deter me. With that said, let's take a listen and see not only how well the album fits into John's legacy, but if those additional tracks are a value-added proposition or mere filler.

Town Of Plenty is average at best. What was it with John's 80s albums that the lead song, more often than not, sounded like a demo and should have been omitted? I guess Town Of Plenty isn't that bad, but it isn't great either. Although, my daughter disagrees with my assessment as she loves the track.

A Word In Spanish is a beautiful song and Reg Strikes Back would have been significantly stronger if it was the album's opening track.

Mona Lisas And Mad Hatters (Part 2) is a story arc continuation from the song Mona Lisas And Mad Hatters that appeared on John's 1972 album, Honky Château. It's one of my favourite Elton John songs, but I do feel mellon collie towards this Part 2 offering as it is quite different in tonality to the first song. That said, if I listen to Part 2, as a song on its own, I find it compelling with a high level of energy that has one toe-tapping and head-bopping when seated and dancing around while standing. The composition is quite detailed with incredible instrument separation and a broad soundstage. Plus, the trumpet tracking really takes the song to another level. Perhaps John and Bernie Taupin could have renamed the song, as to not throw such a severe contrast in musicality between the original and this second coming. Nevertheless, Mona Lisas And Mad Hatters (Part 2) is an exceptional song.

I Don't Wanna Go On With You Like That is the best song on Reg Strikes Back and is one of John’s greatest recordings. The mix with the steady beat and shifting piano tracking is addictive and John’s vocals complete the package beautifully.

Japanese Hands is very similar in tonality and style to another Elton John song. I’m thinking Razor Face, from Madman Across The Water, but I couldn’t be certain without going through his extensive back catalogue. Regardless, I thoroughly enjoy Japanese Hands, especially once it hits the half-way point and the soundstage broadens. The result is a song that is beautifully atmospheric and thoroughly relaxing.

Goodbye Marlon Brando shifts the tone of the album with an edgier rock element. It isn’t a bad song, but I'd call it a B-side as I honestly wouldn't miss the song if it was removed from Reg Strikes Back.

The Camera Never Lies has a campy 80s sound signature and sadly never recovers. It’s another forgettable tune that is pure filler in my opinion.

Heavy Traffic is a song you wouldn't want to listen to if you were stuck in heavy traffic, it would cause you to have homicidal thoughts. Seriously, what were John and Taupin thinking when they penned and recorded this disaster?

Poor Cow gets the album back on track. While it isn't the strongest song on Reg Strikes Back, it does have a compelling rhythm that I find is satisfyingly addictive.

Since God Invented Girls is the closing song for the original non-remastered album. It’s clearly a B-side, as much of the second half of Reg Strikes Back is, but its enjoyable enough for me to listen to the album again and stay within John's catalogue. However, in this case, we will continue listening to the remastered album’s bonus tracks.

Rope Around A Fool should have never been added to the remaster. It's just bad!

I Don’t Wanna Go On With You Like That (Shep Pettibone Mix) is fantastic. Yes, the original is unbeatable, but when remixes are this good, I find it difficult to choose which version I should be listening to as I thoroughly enjoy both.

I Don't Wanna Go On With You Like That (Just Elton And His Piano Mix) shows just how exceptionally talented John is. I could listen to this version on repeat all day. I love it!

Mona Lisas And Mad Hatters (Pt. 2) [The Renaissance Mix] falls a little flat for me and as the last song on the remastered album, I'm not sure it compels me to listen to the album again or stay in John's catalogue. Sometimes additional tracks are great, other times they can deter one's interest. In fact, this remix encourages me to listen to Michael Jackson's Thriller as the mimicked tones of Billie Jean can be heard throughout, especially towards the end of the song.

Overall, Reg Strikes Back (Remastered) is a bit of a mixed bag. Yes, there is some exceptionally good music to be heard here, but it is the three or four lacklustre songs that really shifts one's interest.

Reg Strikes Back (Remastered) is available on CD, the TIDAL Store (16/44.1kHz FLAC), and iTunes.

If you prefer streaming, Reg Strikes Back (Remastered) is also available on TIDAL Hi-Fi, Apple Music, and Spotify.

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