Every now and then I'll browse the library of albums that I’ve saved to my TIDAL Hi-Fi collection. Amongst the thousands saved, I'll inevitably come across a few that make me wonder just how they got there. (The Woodwork) Squeaks by (Was) Not Was certainly falls into that category and upon the first listen, I'm still unsure as to why I saved it. However, upon subsequent listens, the compilation has grown on me, so much so that it leaves me feeling compelled to listen to the compilation again and again.
From my perspective, it is interesting that I saved a collection of remixes and B-sides, as (The Woodwork) Squeaks was the first (Was) Not Was album I ever listened to. Generally, I prefer the core studio releases as a starting point. Nevertheless, I'm thoroughly enjoying this compilation and I invite you to put on your boogie shoes for this review as I have a feeling you're going to need them.
Tell Me That I'm Dreaming (Traditional 12" Remix) has a compelling boogie groove that almost instantly gets you into the music, if only the first few seconds were more compelling. You'll notice throughout this review that I won't contrast a remix with the original song. This is done purposely as I’ve not heard the original recordings. In some ways, that can be a good thing as my subjective opinion isn't clouded. Regardless, Tell Me That I'm Dreaming (Traditional 12" Remix) is a great song to commence this compilation with.
Out Come The Freaks (Predominantly Funk Version) is a great, albeit it lengthy, funk-based song. Remixes do have the tendency to drag on but at no time do I feel this remix needs to be shortened. In fact, it's so good that I could listen to it on repeat for hours at a time.
Wheel Me Out (Classic 12" Version) has a sonically rough introduction that doesn't flow on well from Out Come The Freaks (Predominantly Funk Version). That said, there are some elements in this song that I enjoy, but I have to acknowledge, for the most part, that I find this track to be tedious.
(Return To The Valley Of) Out Come The Freaks (Extended Version) is a great song with a sensational tempo. I love it!
Hello Operator (Classic 12" Version) has a glorious horn section that is so pure it sounds as though you were in the studio while the song was being recorded. Hello Operator (Classic 12" Version), besides starting out slow, is a hell of a good song and I adore that lyrical delivery.
Dance Or Die (From Sweet Pea Atkinson Album) is a killer song. You won't be able to stay still while this track is playing, so you have my permission to take a break from reading this review. Get up and boogie, I’m sure you'll thoroughly enjoy the experience.
Tell Me That I’m Dreaming (Souped Up Version) / Out Come The Freaks (Dub Version) is a great track that reminds me of Grace Jones and her style on the Nightclubbing album. That said, the transition between Tell Me I’m Dreaming (Souped Up Version) and Out Come The Freaks (Dub Version) isn't entirely seamless and the songs could very well have remained separate. Nevertheless, I thoroughly enjoy this track.
Out Come The Freaks (Classic 12" Version) is a great addition to this compilation, but it arguably isn't the greatest version of Out Come The Freaks.
(Stuck Inside Of Detroit With) Out Come The Freaks (Again) has an incredible rhythm that you can really connect with.
As someone with two left feet, White People Can't Dance is certainly the song for me. Although, when no-one is watching, I have "the moves". I love this song and it compels me to listen to the album again and explore the entire (Was) Not Was catalogue.
Sonically, the stream from TIDAL Hi-Fi is beautiful, with every musical element positioned perfectly. It’s really all anyone would need. While (The Woodwork) Squeaks hasn’t been re-issued on any physical media, recently, I feel content with this album being part of my digital streaming collection as it is, subjectively, not quite to the standard where I feel willing to outlay additional cash to pick up a copy. That isn’t a negative reflection on the compilation, just an acknowledgement that I don’t have an endless supply of cash and one has to carefully choose albums, especially considering the often inflated prices of re-issued vinyl. This is, yet, another benefit of music streaming as it allows for exploration and enjoyment without commitment.