Sonically positioned somewhere between Sheryl Crow and Alanis Morissette is Australia's own, Diana Ah Naid. Ian McFarlane describes this 1997 independent, self-funded, release as a restless, funky brand of acoustic guitar folk with urgently charged vocals backed by an emotional, primal energy – Encyclopedia of Australian Rock And Pop. I don't know about you, dear reader, but McFarlane is spot on and no amount of pondering on my behalf could come up with a more precise review of this thoroughly satisfying Self-Titled release. That said, join me as I take a look at the individual songs and how I subjectively feel about them and the entire album.
I Go Off is a musical wonderland with nothing more than a vocal and guitar track filling the soundstage. While both are beautifully presented and recorded, Ah Nard's vocal prowess is simply astonishing. How she isn't a household name, is an absolute mystery.
If You Insist has a beautiful introduction. That guitar tuning is stunning and provides the perfect backing to the song. In some ways, it is a little too similar to I Go Off, but that isn't necessarily a bad thing as it develops a sound that allows the listener to identify and connect with the artist.
Fill Me Up has a good rhythm and a very alternative vocal presentation that is perfect for the style of music. The added brass instrumentation really builds a sonically pleasurable soundstage that ensures Fill Me Up is memorable and ready to be played on repeat. If you enjoy World Music, you'll love Fill Me Up.
See Through is an interesting composition that is a little scattered in places, but the hook is catchy. A solid addition to the album, but nothing to write home about.
Make It Begin is sonic gold. That musical introduction is magical as the piano is beautifully recorded. You really need to listen for yourself to appreciate just how amazing it is. Make It Begin may be mellow, but it’s one of the best songs on the album, if not the best. Absolutely stunning!
Wrapped Around My Head is a lovely tune but fails to fully captivate my senses. I find my mind wandering when listening to the song.
Ruok? is short, but spectacular!
Get Yourself Lost is a little too erratic and subsequently, I find it difficult to connect with a specific rhythm.
Leaving The Country is a gorgeous tune. Ah Naid's vocal presentation is mind-blowingly good. It is as if an angel is singing to you, and only you.
Flowers is a B-side that I simply can't get into.
K9 is musically impressive, but I have to be honest and say I would much prefer for it to have been an instrumental interlude as the vocal distracts the listener from the musicality.
Freaky Animals is an interesting tune that I enjoy, but I also have reservations with the child vocal inclusion towards the end as I'm not sure it suits the song. There is also an error on the Apple Music stream whereby this song continues in silence for a further minute and a half. It's a shame as the error makes you think the album has concluded, but there is one more song to be played as the original CD release had a hidden 13th untitled track. That track is now listed in Apple Music as Schlork Your S*****g. Subsequently, it looks as though the album has been uploaded directly from the CD and it infuriates me when this happens. I've never liked bonus hidden tracks, and this is further proof that they should be abolished. Albums that include this common CD-feature should, at the very least, be re-tracked when uploaded to streaming music services.
Despite my above complaint, Schlork Your S*****g is an interesting track to conclude the album with. The chorus does drive me mad, but I appreciate the artistic intent and the verses are strong enough to hold the song together ensuring I’ll play the album again and continue to explore Ah Naid's catalogue. Speaking of that, it is important to note that all post-2004 releases by Diana Ah Naid are released as Diane Anaid.
Overall, Diana Ah Naid's Self-Titled debut is thoroughly enjoyable and while I have some reservations, as detailed above, all songs work extremely well in the album format.