Every now and then an album comes along that is the pinnacle of perfection. Cinema is just that as it blew my mind the first time I listened to it. While I am well aware of Bocelli’s work, having been a fan since his Romanza album in 1994, I wasn’t prepared for the quality of his latest work Cinema. There is little doubt regarding Bocelli’s exceptional talent, but I feel that recent albums, such as Passione, didn’t showcase his true potential. That said, I appreciate films and their associated scores, hence it could very well be my own subjectivity that passes judgement against this recent work. Regardless, the song selection and tracking on Cinema is perfect. The songs not only bring out the best in Bocelli, but many of these interpretations surpass their original compositions.
The Deluxe Edition CD is housed in a beautiful tri-fold digipak with full featured liner notes. The booklet is presented so well that I can honestly say it is one of the most detailed I have seen in recent years. It describes not only the inspiration and history of the songs, but all production elements are meticulously added. This level of detail is what audiophiles ask for but rarely get. It is wonderful to see this level of production, given the CD format has been faltering in sales recently.
There is a vinyl edition of Cinema, but I won’t be adding it to my collection. The CD offers one of the best masterings in my collection. If you want a CD that is reference quality, for auditioning new hardware, just use this one. This is how digital music should sound and proves that CD is a truly capable medium that has, more often than not, never been utilised to its full potential. Subsequently, I see no justification for higher resolution editions of this album, especially considering the audiophile 96kHz/24bit edition from HDtracks features exactly the same dynamic range as that available on the CD. While I have yet to see dynamic range numbers for the vinyl release, I think we could confidently assume that it would have been created from the same Hi-res master used for both HDtracks and the CD, therefore resulting in no improved dynamic range. The only benefit may be the analogue sound that some listeners may prefer. Although, as much as I love vinyl, I prefer listening to classical music in a high-quality digital format as the organic surface noise of vinyl can be distracting in low volume passages.
Maria (from “West Side Story”) is simply a gorgeous song that is perfectly suited for the tenor voice. While I’m not sure it is the best interpretation of the song, it is amongst the best and is thoroughly pleasing.
La Chanson De Lara (from “Doctor Zhivago”) is incredibly moving. It encourages the man with two left feet to dance with his significant other. It also reminds me of how exceptional the film Doctor Zhivago is. In fact, Doctor Zhivago is my second favourite film of all time, second only to Casablanca.
Moon River (from “Breakfast At Tiffany’s) is beautiful. When I think of this song, it is with Frank Sinatra in mind as I have always preferred his version. However, Bocelli has made this song his own while paying homage to the classical renditions by Sinatra and many others. It is sensational!
E Pit Ti Penso [duet with Ariana Grande] (from “Once Upon A Time In America”) is a song that I’m unfamiliar with, but I love it when Bocelli does duets as the intermingling vocals are always respectfully done and in cohesion. It is a beautiful song and worthy of inclusion on Cinema. I certainly look forward to hearing it many more times over the coming years.
Be My Love (from “The Toast Of New Orleans”) is another song I am unfamiliar with, yet it sounds somewhat familiar. Regardless, Bocelli delivers another stunning performance that works perfectly with his vocal register.
The Music Of The Night (from “Phantom Of The Opera”) is one of the most recognisable pieces of music in the world. Personally, I consider Michael Crawford’s interpretation to be the one to beat. No-one else has ever come close in my opinion. That said, I’m extremely impressed with Bocelli’s rendition and I have a feeling that even Michael Crawford would acknowledge this as nothing short of a stellar performance. If you haven’t already got your stereo turned up to ear-bleeding levels, you will definitely want to turn that volume knob to the right. Bocelli is absolutely amazing!
Brucia La Terra (from “The Godfather”) is one of my favourite film-based songs. I’ve been a fan of The Godfather series for decades and while the original song is superb, it is nothing like this. Bocelli has left me speechless and all I can say is: Wow!
Por Una Cabeza (from “Scent Of A Woman”) picks up the pace a little from the solemn notes of Brucia La Terra, but it doesn’t feel out of place. Personally, I feel it was a wise tracking choice as there is a similar vocal tonality throughout this song, despite the obvious shift in tempo.
No Llores Por Mi Argentina [duet with Nicole Scherzinger] (from “Evita”) reminds me vividly of the exceptional Elaine Paige version. However, I feel Bocelli and Scherzinger have done an exceptional job with this song. I can’t help but wonder if they also recorded the English version. That said, the utilisation of foreign tongue in music doesn’t concern me, especially when the performing artists are so incredibly talented and blessed with voices that instrumentalise emotion more succinctly than any instrument is capable of.
L’Amore E Una Cosa Meravigliosa (from “Love Is A Many-Splendored Thing”) is a beautiful song that I am not familiar with. That said, I truly appreciate a compilation-styled album such as this because it expands one’s musical appreciation into a series of songs that one may otherwise have never heard. It still amazes me how much beautiful music exists in the world and I can only imagine how much I have yet to experience.
Mi Mancherai (from “Il Postino: The Postman”) takes you on a musical journey that is simply exquisite.
Cheek To Cheek [duet with Veronica Berti] (from “Top Hat”) is an incredible song and while it has been played and interpreted numerous times, it never gets old. My personal favourite rendition, however, is the Ella Fitzgerald and Louis Armstrong recording from their 1956 album Ella And Louis. As good as the Bocelli/Berti version is, no one does it better than Fitzgerald and Armstrong in my opinion. That said, I would love to see Bocelli do more jazz-inspired songs as his vocal capabilities are perfectly suited to that style of music.
Sorridi Amore Vai (from “Life Is Beautiful”) is a beautiful song. As I listen, I remain amazed at the restraint that Bocelli has on his vocal performance. Many artists tend to reach too high and it sounds forced. As far as I can recall, I have never heard Bocelli extend his vocal beyond the requirements of a song. It is this professionalism that makes him one of the best vocalists in the world.
Historian De Amor (from “Love Story”) is a song I absolutely adore and I don’t recall ever hearing a bad rendition of it. Bocelli's interpretation carries on that trend and is an absolute pleasure to listen to.
Ol’ Man River (from “Show Boat”) is a song that I’m not overly familiar with and is probably the one song that I feel doesn’t fit well on the album. Bocelli’s vocals just don’t seem well suited to this song. That isn’t to say it is bad, but it doesn’t reach me on an emotional level.
Nelle Tue Mani [Now We Are Free] (from “Gladiator”) is one of the most stunning songs on the album and in any film that I can recall. It is moving and emotionally engaging. While I felt the film was lacklustre, this song is completely opposite as it empowers the listener and creates a sonic visualisation that is incredibly vivid. Bocelli’s performance is simply flawless. We, as music lovers, are truly blessed to have such sonic perfection in our lives. It literally brings me to tears.
Mere words can not explain just how moving this album is and how perfect the performance and production is from start to finish. While Bocelli is most certainly the star attraction and performs flawlessly, this album has an A-list of who’s who in the musical and studio production world. While this review would never end if I mentioned them all, all I can say is a sincere thank you to everyone involved in the making of Cinema.
Music simply doesn’t get any better than this and while Cinema is available on Vinyl, the Deluxe Edition CD is all you will ever need to truly enjoy this masterpiece. Plus, if you play albums as I do, you will wear out the vinyl edition from the inability to put the record back on the shelf. It really is that good!