Sometimes the only way for an artist to remain relevant, and continue to grow creatively, is to evolve. Yes, Disturbed's latest album doesn’t have a meaningless title as they have evolved with a series of songs that will likely divide fans.
There is little doubt that Draiman has the vocal chops to approach most styles, but I can't help but wonder if some of the songs on this album would not have been better utilised for a side project. Think Corey Taylor's Slipknot verse Stone Sour styles and you'll likely understand where I'm coming from. Yes, Disturbed has a reputation for exceptional covers, especially The Sound Of Silence, but Evolution is a mix of Disturbed’s metal roots and their creative acoustic aspirations. It’s familiar, yet different; reminding me somewhat of the disjointed mess that is John Lennon and Yoko Ono's Double Fantasy. That album and this should really have been two separate albums or at the very least expanded and presented in the same manner as The Smashing Pumpkins, Mellon Collie And The Infinite Sadness double album.
Are You Ready is the signature stadium-filling song that is pure Disturbed. Its energy and finesse is addictive and will appeal to new and old fans alike. I love it!
No More has a great vibe, with a little Marilyn Manson influence, especially in the opening and hook areas of the song. Donegan's semi-solo guitar tracking is fantastic as is the entire mix.
A Reason To Fight is a stunningly beautiful ballad. Seriously, Disturbed needs to release a pure ballads album or an acoustic record. Think Nirvana’s MTV Unplugged In New York. It would be a superb addition to their repertoire. If you thought their cover of Simon & Garfunkel’s The Sound Of Silence, from Immortal, was impressive, you'll be blown away with A Reason To Fight. It is arguably the best song on the album and one of the best original songs Disturbed has ever written and recorded.
In Another Time has a lovely slow build up that is required when transitioning from A Reason To Fight. It’s a solid Disturbed tune, but nothing to write home about.
Stronger On Your Own similarly doesn't blow me away. Don't get me wrong, I'll happily accept more Disturbed music any day of the week, but I feel Stronger On Your Own is recorded at the wrong tempo. Plus, again, I hear elements of Marilyn Manson, encouraging me to listen to his catalogue. It's a little Disturbing...pun intended!
Hold On To Memories is another song to get the acoustic treatment. It’s beautiful and Draiman's lyrical delivery is gorgeous. However, I remain steadfast in my recommendation of greater style separation. Besides the aforementioned albums, think Foo Fighters' In Your Honor.
Saviour Of Nothing, unlike Stronger On Your Own, has the perfect tempo. Equally hard-hitting, yet relaxing. The musicality is interesting and the short drum solo, followed by the guitar solo is incredible. A great song!
Watch You Burn is a B-side and I'm hoping it will grow on me, but at the moment I feel it isn't really a Disturbed song as it sounds out-of-place in their catalogue. That said, I adore the symphonic elements and believe they should have been more prominent throughout.
The Best Ones Lie brings us back to the traditional Disturbed sound we all know and love. The Best Ones Lie sounds like it was left over from the Believe sessions. That's a good thing if you were wondering.
Already Gone is another ballad and closes out the album beautifully. Yes, it encourages me to listen to Evolution again and stay within Disturbed's catalogue. I did initially listen to the Deluxe Edition, but I find the standard 10 track version offers the perfect length, especially considering the sonic differences and experimentation between Evolution and Disturbed’s back catalogue.
Overall, Evolution is an excellent album that grows on you the more you listen to it. Given the widespread popularity of The Sound Of Silence, it’s hardly surprising that Disturbed has decided to evolve their sound to include more ballad tones. I do, however, still wish they had separated the styles a little more, but I also acknowledge that the song introductions are well thought-out in relation to the shifting styles and don’t feel overly disjointed. It will be interesting to see how Disturbed take this shift in styling and apply it to future records.
This review has been based on listening to the TIDAL MQA (Masters) and Hi-Fi editions, as well as the Apple Music stream. Subjectively, I found the MQA edition to be a noticeable improvement over the Apple Music stream. However, the variance between the MQA edition and CD-quality Hi-Fi stream was negligible. The MQA edition, however, felt subjectively more musical, compelling me to move and connect better with the music. That all said, when an album is recorded, mixed, and mastered this well, you’ll enjoy it thoroughly regardless of the format.