I’m an album guy. Playlists are a cool modern take on the good old mixtape, but despite being once known as the Mixtape Master, I much prefer to experience music in the album format as it generally showcases a particular era and style that correlates and often complements the artist. That said, sometimes albums have mismatched tracks and that is certainly the case with Elton John’s 1982 release, Jump Up!
Much of Jump Up! is excellent, well except for the intro track, but more on that shortly. The album artwork is also permanently lodged in the 80s, but I think in some ways that is an appealing aspect. Yes, dear readers, as I age the nostalgic element is becoming more pronounced. Jump Up! likely won't appeal to the fans that are mainly interested in the hits, even though this release features the fan favourite Blue Eyes. Jump Up! May lack focus, but don’t let that deter you for there is enough intriguing music to be found on this release to please all Elton John fans.
This review is based on listening to the 2003 remastered editions on both TIDAL Hi-Fi and Apple Music. To be completely frank, there is almost no difference to be heard and if anything I find the FLAC version via TIDAL Hi-Fi to be a little more clinical, therefore less relaxful. It isn’t always about resolution and file size. There is little doubt that, for this album, I prefer the Apple Music stream.
Dear John why did you record this song? Seriously, it's horrid! An absolutely terrible start to the album. I honestly can’t think of a worse song, from any album, as the lead track. Although, I’m sure there are plenty. Dear John, please never write and record another song like this one.
Spiteful Child flows on nicely from Dear John and is a much better song. That said, John’s vocal delivery in the chorus can become a little tiresome and I find myself being drawn into the musical accompaniment. It’s layered, diverse, and has a solid soundstage. What's not to like? Oh, that’s right, John's harmony as he delivers the chorus.
Ball & Chain is awesome! It would have been perfect for Tumbleweed Connection, but it works really well here. Ball & Chain has a great groove and fans of The Who may be interested to know the acoustic guitar on this song is strummed by none other than Pete Townsend.
Legal Boys is beautiful! The musicality is beyond reproach as is John's vocal delivery. How is this song not more prominent in his catalogue?
I Am Your Robot is unique; I like it! It’s 80s toe-tapping and head-bopping gold and I'm actually surprised that no one in the hip-hop world has sampled I Am Your Robot. There is greatness hidden here and with the right artist, I Am Your Robot could morph into something amazing. Just so long as they don’t transition into Blue Eyes. It has always amazed me that Blue Eyes was never the lead track on Side B. While CD and associated streaming has largely ignored the sides of a record, Jump Up! was released when Vinyl and Cassettes were the dominant formats and Blue Eyes simply doesn’t flow well after I Am Your Robot.
Blue Eyes is likely the most popular song from Jump Up! Okay, it’s probably the only song off the album that most listeners would have heard. Regardless, as I reflect on what I’ve said previously about Blue Eyes, I stand by my statement that I’m glad John didn't sing consistently in this lower register, that is reminiscent of many a piano bar singer. Nevertheless, Blue Eyes a great song and one can understand why it has become a fan favourite.
Empty Garden (Hey Hey Johnny) is a beautiful Taupin / John collaborative song that was written as a tribute to John Lennon. It’s one of John's greatest recordings and one that I've no doubt you'll appreciate when you listen to it. I could, seriously, listen to Empty Garden (Hey Hey Johnny) on repeat for hours, it is that good!
Princess follows Empty Garden (Hey Hey Johnny) seamlessly and is an absolute classic. Yes, it is a little campy, but it’s a lovely song that works extremely well and this time John nailed his vocal range in the chorus.
Where Have All The Good Times Gone is a great tune. A B-side, yes, but great nonetheless.
All Quiet On The Western Front is sensational despite the commercial failure of the song as a single. Musically it’s gorgeous and the anti-war message will always be relevant. As I listen, I feel compelled to turn the volume up as the sonic elements, especially that drum track, blows my mind. This is one song I'd love to hear in surround sound and I feel in some ways it is out of place on Jump Up! It would have been perfect for inclusion on Madman Across The Water. Regardless, All Quiet On The Western Front compels me to stay within John’s catalogue.
Overall, Jump Up!, while not commercially one of John’s greatest albums, is thoroughly enjoyable. I would have dumped Dear John and re-tracked the album so that Blue Eyes was better presented, but I guess that’s what playlists are for.
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