Have you ever wondered what one part Chicago plus one part Abba would sound like? Well, I hadn’t but when I listen to I Stand Alone, I hear a correlation. Peter Cetera, former Chicago frontman and bassist, would produce this exceptional release, selecting the songs that he felt would be perfect for Fältskog’s uniquely smooth vocal delivery. Whilst there are a couple of misses, I Stand Alone is a thoroughly enjoyable release from start to finish and while ABBA’s success may always overshadow Fältskog’s solo career, you’d be foolish to overlook this 1987 release as it is arguably one of Fältskog’s greatest solo releases and success was only hindered by Fältskog’s lack of post-release promotion.
This review will largely be based on listening to, and appreciating, the CD release I’m fortunate enough to own. Sadly, the cover art has faded over the years but sonically the CD sounds marvellous. That said, I did lament that the vinyl reissues of Fältskog’s earlier solo releases in 2017 didn’t include this one. Of course, those reissues were originally released on Polar Music while Fältskog’s later recordings would be released on WEA Records. It may be a minor and somewhat insignificant aspect, from a music lover’s perspective, but WEA Records have yet to do anything with Fältskog’s back catalogue, meaning there is no vinyl reissue on the horizon. At least they haven’t issued a remastered brickwalled disaster as the original mastering is quite lovely with plenty of headroom allowing you the opportunity to turn the volume up according to your tastes.
The Last Time is a fantastic tune to launch I Stand Alone. Yes, it has that 80s feel to it, but that is part of the allure. While a little slow to start, the tempo kicks in after the first minute and reminds me fondly of Elton John’s Victim Of Love. This is one song that you’ll most certainly want to turn the volume up on and get the air guitar out for, for that guitar solo, while predictable, is perfect.
Little White Secrets shifts the tempo a little too much for my liking. It has an almost Caribbean feel and is a B-side. I simply don’t feel the song suits Fältskog’s vocal style and the mix and subsequent soundstage are a little too centre focused.
I Wasn’t The One (Who Said Goodbye) [Duet with Peter Cetera] is pure gold and is one of the greatest duets of the 80s. Seriously, this is Chicago meets ABBA turned up to 11. It is flawless and I could listen to it on repeat for eternity.
Love In A World Gone Mad is badly tracked. It’s a solid song, but coming directly after I Wasn’t The One (Who Said Goodbye) was a mistake in my opinion. Subsequently, it takes a while for the mind to adapt to the varied tempo and musicality, resulting in a love/hate relationship with the song, especially if you listen, as I do, to music in the original album format. All that said, if I’m to be completely honest, Love In A World Gone Mad is a little too campy for my liking.
Maybe It Was Magic is a magnificent ballad that is perfectly suited to Fältskog.
Let It Shine is a solid song but should have been tracked with Love In A World Gone Made and Little White Secrets as it again shifts the flow of the album a little too much. Truth-be-told, if I had my way, I would have tracked the ballad-styled tunes on Side A and the more 80s pop-driven songs on Side B. Thankfully, your mind does adjust, but it shouldn’t need to in my opinion.
We Got A Way is a solid upbeat pop-rock tune that flows perfectly from Let It Shine.
I Stand Alone is a great song. The musicality is incredible with a beautifully sized and positioned soundstage ensuring that the more detailed your playback system, the more involving the music will become and you’ll hear elements that you may not have heard on a more modest system.
Are You Gonna Throw It All Away is magical. I adore Fältskog’s vocal delivery on this song and the musicality, especially the saxophone elements, makes this song nothing but a pure pleasure to listen to. I don’t know about you, dear reader, but I turn the volume up and sing along.
If You Need Somebody Tonight is a beautiful song to conclude I Stand Alone on ensuring that I’ll play the album again and stay within Fältskog’s incredible catalogue of music.
I Stand Alone is a hidden gem and if you’re a fan of ABBA or have any interest at all in 80s pop music, you’re bound to love I Stand Alone; I know I do.
Click here to read other Agnetha Fältskog reviews by Subjective Sounds.