LP 1 – Side A
Been There Lately was a really strange song to commence the performance with. It was never the strongest song from Slash’s Snakepit and it’s therefore unexpected. That isn’t to say that this live rendition isn’t good as it’s arguably better than the original, but there are many stronger songs from that era that I would have selected. Speed Parade would have been perfect as the opening song, in my opinion. Perhaps, even, Dime Store Rock would have been a better choice.
Nightrain is an absolute classic and a personal favourite. This live rendition doesn’t shift far from the original, and that’s a good thing, but it has its own personality and is thoroughly enjoyable. I have to say, Kennedy does a wonderful job, on vocals, with all the classic Guns N’ Roses songs.
Ghost has a killer rhythm and is textbook Slash. Kennedy does a good job with the song that was originally recorded with Ian Astbury. While I can understand the unwillingness to open the live performance with Ghost, given it was the opening track for Slash’s eponymous album, it would have been ideal and would have flowed perfectly into Nightrain. Although, Ghost also flows smoothly into the Snakepit original Mean Bone.
Mean Bone isn’t a bad rock and roll track. It has a classic vibe to it but fails to stand out and subsequently doesn’t offer much to write home about. Nevertheless, it works well for the live performance and is a value-added proposition for those of you that may have not been exposed to the Snakepit era.
Back From Cali is Kennedy’s song and it’s astonishingly good. While not intended to be, Back From Cali is the perfect song to close out side one, ensuring that the live performance is full of energy and the listener feels compelled to keep listening to a live performance that simply gets better as the show goes on.
LP 1 – Side B
Rocket Queen is a favourite of mine, but that could be said about all songs from the Appetite For Destruction era. They haven’t aged and remain as relevant today as they were when recorded. A sign of good music? Yes, I believe so!
Civil War is an incredible song and the band performs it stunningly with Kennedy doing a solid job of interpreting the song for his vocal style, but as much as I enjoy Civil War, I would have much preferred to hear the band perform November Rain. Of course, Slash didn’t co-write November Rain, as it was a Rose-only composition, and subsequently, it makes sense that it hasn’t made an appearance. Although, that closing guitar riff is spectacular.
Nothing To Say is brilliant and Kennedy really nails this interpretation, resulting in a song that leaves me divided because I equally enjoy this rendition and the original version featuring M. Shadows on vocals. It’s a great fast-riffed rock and roll tune. Yes, some may suggest that Slash’s style is better suited to his core blues-based rock and roll riffs. While I wouldn’t completely disagree with that point of view, the man is a legend and can certainly shred without issue.
LP 2 – Side A
Starlight is beyond belief good! It honestly leaves me speechless as it’s nothing short of a masterpiece. Just sit back, turn the volume up, sing along, and enjoy. I know I do!
Promise is an incredible song and while Chris Cornell was the perfect choice for the original studio recording, Kennedy performs it perfectly, showing yet again just how talented he is as a vocalist. Yes, it could be argued that he is merely singing a variety of blues-based rock and roll songs and therefore the shift isn’t that dramatic, but one must remember that the original songs were written with and for other vocalists and vocal styles. The result is Kennedy pays tribute to the original vocalists, makes the song his own, resulting in pure perfection. I dare say there are very few vocalists who could adapt to so many varied styles in a live performance and absolutely nail them all.
Doctor Alibi was a killer Lemmy Kilmister song and Kerns has covered it perfectly. Seriously, if Motörhead ever wanted to tour again, following the unfortunate passing of Kilmister, they should pick up the phone and call Kerns. No, he’s not a Kilmister imitator, but his vocal prowess is most certainly appropriate for the Motörhead sound. Either way, Doctor Alibi is a killer rock and roll tune.
Speed Parade is your classic meat and potatoes rock and roll song. Full of attitude with a riff and rhythm that is addictive and appealing to the rock and roller within.
Watch This was lacklustre on the eponymous Slash album and I was a little worried about it being included in the live performance. However, the worry was largely unnecessary as the live performance adds a little grit to the instrumental that wasn’t present on the studio recording. That said, it still isn’t exceptional and is quite frankly nothing to write home about, but this rendition is, at the very least, a better interpretation of the original composition.
LP 2 – Side B
Beggars & Hangers On is one of the greatest songs Slash has ever written and recorded. I’ve always loved it. Eric Dover did a fantastic job with the original and as much as I enjoy Kennedy’s vocal prowess, I really feel that Dover’s is superior as the song just isn’t quite as strong with Kennedy at the helm. That isn’t to say he did a bad interpretation, it’s awesome, it just isn’t up to the same standard of the original and I wonder what Kerns would have sounded like performing this song as he nailed the gruffer vocal delivery on Doctor Alibi.
Patience is a truly lovely song and this is a beautiful rendition of the Guns N’ Roses classic.
Godfather Solo flows perfectly from Patience and has arguably become a Slash trademark. Having performed it for years, I dare say there isn’t another guitarist, in the world, that can express the song as elegantly as Slash does; on an electric guitar that is. Absolutely sensational! That said, I would suggest that Slash has become a little self-indulgent regarding the length of this solo. Certainly, he has earned the egotistical right to play that guitar for as long as he likes, I’m just wondering how captivated the fans remain throughout.
LP 3 – Side A
Sweet Child Of Mine is another seamless transition, especially if you listen to the album via CD or Apple Music. Unfortunately, if you’ve got the vinyl release, you’re not going to notice this continuity. Nevertheless, Sweet Child Of Mine is exceptional and Kennedy can belt this classic out just as well as Rose has over the years. This is the type of song where Kennedy’s unique vocal style really shines.
Slither is a favourite from the Velvet Revolver era and while I’ll always associate this song with Scott Weiland, Kennedy pays homage to the original and makes it his own. Yes, I should stop comparing the efforts of Kennedy to the vocalists that came before him, as I’m not doing that for the other musicians, but the vocal element, as an instrument, is so pertinent in music that it is difficult to separate the memory in one’s mind to the performance one is currently listening to. Perhaps that is why I dislike cover bands as I feel, despite their best efforts, they are subpar compared to the memory of the classic songs they sing. That said, I am the first to admit that not all covers and cover bands are bad, some can be better than the original, but it is the exception rather than the rule.
LP 3 – Side B
By The Sword is epic and Kennedy absolutely nails it.
Mr. Brownstone is one of my all-time favourite Guns N’ Roses songs. The beat is tribal and the rhythm addictive. I love it!
Paradise City rounds out this live performance and while it would have been nice to see the album end with one of the songs from Slash’s eponymous album, Paradise City is a showstopper and one of the very best songs ever written and recorded. That riff, those lyrics, and that rhythm are sensational. If you need a textbook example of a perfect rock and roll song, I dare say this is it. Without a doubt, Paradise City leaves me compelled to listen to Made In Stoke 24/7/11 again and stay within Slash’s back catalogue.
Overall, Made In Stoke 24/7/11 is a sensational live performance that any fan of Slash and his musical cohorts should check out, if not own, as it is most certainly worth your time. Including music from Guns N’ Roses, Slash’s Snakepit, Velvet Revolver, and Slash’s iconic eponymous release, longtime fans, such as myself, will undoubtedly find something to love about Made In Stoke 24/7/11.
Made In Stoke 24/7/11 is available to own on Vinyl, CD, and iTunes.
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