Released in 1966, Aftermath was the fourth album by The Rolling Stones and features one of my favourite songs by the band, Under My Thumb. However, it is Mother’s Little Helper that I feel steals the show as the theme behind the song was not only relevant in the 60s, but remains so in modern society. I love the sitar-ish styled elements that Keith Richards has stated was created by using a 12-string electric guitar with a slide. The experimentation Richards has done over the years is nothing short of extraordinary and I was blown away when I saw some of the recording techniques he was attempting the Netflix Documentary Keith Richards: Under The Influence.
Stupid Girl is an excellent song that, in my opinion, perfectly highlights the 60s era from a musical perspective. It is simple, yet evolved in its composition. I also find the tune to be highly addictive.
Lady Jane (Mono Version) is a simply gorgeous song. Jagger can certainly perform a ballad and while it isn’t necessarily a song that immediately identifies The Rolling Stones, I would love to see Jagger do a solo album of nothing but ballads.
Under My Thumb is a song that defines psychedelic pop. The musical solo is uniquely placed and is thoroughly enjoyable as it keeps the beat going.
Doncha Bother Me is very rough around the edges and sounds more like a demo than a completed recording. Yes, I know the album was recorded in the 60s, but it is reminiscent of their earlier works and lower production standards. That said, the sound reminds me of the intent that Keith Richards was going after with his 2015 album Crosseyed Heart. It is almost the anti-quality approach where music is expressed as a form of art, instead of aiming for perfection.
Goin’ Home (Going Home on the In Mono collection) is an epically long song for an era when songs were not expected to exceed the approximate 3-minute length for radio playback. While the song is arguably repetitive, it continues to evolve as the song progresses and while it could have been an excellent 3-minute track, the 11-minute epic is reminiscent of a live jam session. There are some cases where excessively long tracks are superfluous, and only relate to the ego of the artist, but this isn’t one of them as every note played in this song is worthy of being included on the album.
Flight 505 is a song that I simply don’t like. Even the smoothness of Oppo’s HA-2 (ESS Sabre32 Reference ES9018K2M) DAC can’t help the harshness that is in this song. It is very fatiguing and the edition that is present on TIDAL Hi-Fi is from the 2002 remaster. The strange thing is, this is the only song on the album that exhibits such fatigue. It would be interesting to see if the SACD, undertaken during the same mastering sessions, exhibits this same effect. That said, the edition featured on the In Mono collection is significantly smoother and is much preferred.
High And Dry is boxed in from a sonic perspective. While there is left and right stereo separation, the soundstage is very narrow. That said, I do enjoy the song and if I wasn’t looking at it from the perspective of undertaking a review, I would likely dismiss the shallow sound stage and simply enjoy the music.
Out Of Time has one of the coolest song entries that I have ever heard. It is important to note that this version is only on the UK release as the song did not appear on the US release of Aftermath. While this is the original mix of the song, an alternative mix was also released on the Flowers album in 1967. Subjectively, I enjoy both renditions of the song and I find that I can listen to them interchangeably. Of course, there is also the excellent strings version of the song that appears on the compilation album Metamorphosis. However, as much as I enjoy the strings version, I don’t feel it is as solid as the earlier mixes, but I do appreciate the experimentation in style. The bottom line is that I can listen to this song for hours, regardless of the mix, it is that good (addictive).
It’s Not Easy is an enjoyable blues rock and roll song with a little distortion in the bass track, but it works for the song and isn’t disruptive.
I Am Waiting is a strange song from my perspective as I’m not sure which beat I’m supposed to be connecting with. Is it the guitar strum, the maracas in the background, or the vocal track? It gets even more complicated when the drum track kicks in. I feel all these elements are fighting to be heard. That said, there is something enjoyable about the song. Perhaps this is simply one of those songs that will forever be an enigma in my mind.
Take It Or Leave It has a slow melody that I enjoy, I just wish the song was recorded and mastered with a little more precision. I find many elements, such as the organ/keyboard track in the soundstage, are simply too distant and you must listen intently to hear them. While I like the stereo mix of Take It Or Leave It, I much prefer the monophonic mix as all elements, while still somewhat distant, are evenly placed in the soundstage. It is fair to say that this is more of a concern when listening on headphones, as loudspeakers are often more forgiving when it comes to the psychoacoustic effect found in mono to stereo conversions.
Think is a fantastic song. The rhythm is incredibly engaging.
What To Do (Mono Version) isn’t a bad song, it encourages me to listen to the album again, but it is definitely a B-side.
At the beginning of this review, I publically acknowledged my once flawed beliefs regarding The Rolling Stones. Yes, I acknowledge my fickleness, but as I continue to explore music, I find that I am increasingly captivated by that which I have previously rejected. It is an interesting juxtaposition, but one I gladly accept. While I haven’t tallied the number of times I have listened to Aftermath, during the review process, it has quickly become not only my favourite Rolling Stones album but one of my favourite albums that captures the zeitgeist of the British rock and roll music scene of the 1960s.
Aftermath (UK Version/Remastered) is currently available for purchase on Vinyl, CD, iTunes, and in FLAC from the TIDAL Store.
The album is also available for streaming on Apple Music and Spotify.