Alice Cooper: Albums Ranked (From Worst To Best)

April 29, 2025

Few artists have left as indelible a mark on the landscape of rock as Alice Cooper. With a career spanning more than five decades and a discography of 29 studio albums, Cooper’s fusion of hard rock, glam, shock, and psychedelic influences has inspired generations of musicians and fans. It is, therefore, fitting to explore—and rank—his albums from worst to best, celebrating both his boundary-pushing releases and the lesser-known records that continued to showcase his theatrical genius.

With such a large discography, ranking Alice Cooper’s albums is nothing short of a monumental task. Hence, any list can only be subjective, for there is no objective way to reflect on such a storied career.

…and yes, dear reader, I’ve changed the order numerous times. While there are a couple of subpar records in his catalogue, the killer releases are so vast that his Top 20 are really in a continuous state of flux. However, after almost a year of listening and thinking, and listening a little more, it’s time for me to hit publish on this subjective list.

Some may lament that I have combined both the Alice Cooper band and Alice Cooper’s solo records into a single list. Yes, the Alice Cooper band material is legendary in its own right, and Glen Buxton, Michael Bruce, Dennis Dunaway, and Neal Smith deserve all the praise they’ve received over the years—for if it weren’t for these incredible musicians, there would be no list to rank. However, Cooper’s legacy goes well beyond the band’s origins and, hence, here we are. Perhaps one day I’ll separate them, but when I think of Alice Cooper, I seldom separate the two stages of the Alice Cooper legacy.

29. special forces (1981)

Special Forces is my most disliked Alice Cooper release; an interesting dichotomy as his other “blackout” records are amongst my favourite albums, of not only Cooper’s career but, of all time. The problem as I’ve always seen it is that Special Forces has a monotonous styling throughout the entire runtime without a standout tune. As such, this album lacks the audible spectacle that has made Cooper’s music so appealing and it is therefore fitting as the worst album in this subjective list.

Check out the full album on Apple Music.

28. the eyes of alice cooper (2003)

The Eyes Of Alice Cooper is a solid hard rock release, but despite the blending of straightforward hard rock with subtle gothic undertones and a couple of ballads, it simply isn’t one of Cooper’s memorable releases and is one of his albums that lacks at least a standout hit to keep the fans hooked. While I’ve no doubt some fans adore The Eyes Of Alice Cooper, I’m not one of them and only find myself listening to this release when exploring Cooper’s entire legacy; such as to undertake this ranked list.

Check out the full album on Apple Music.

27. Detroit Stories (2021)

Detroit Stories is Alice Cooper’s love letter to the city that shaped his early years, capturing the grit, swagger, and unfiltered energy of Detroit’s rock scene. Backed by his long-time producer Bob Ezrin, Cooper channels nostalgia with his unique raw qualities that form an interesting combination, for if the motor city could be represented audibly, Detroit Stories is, arguably, the best representation of the sounds of the legendary city.

Check out the full album on Apple Music.

26. Road (2023)

Road is very much a tribute release and nod of respect to the musicians who have helped Cooper traverse the roads of endless touring. With longtime collaborator, Bob Ezrin at the helm, Cooper delivers fresh, original material that captures the thrill of the stage lights, the camaraderie of the crew, and the loneliness of the long drives between gigs.

Recording with his live band, as a live performance in the studio, Cooper was able to achieve a larger-than-life sonic presentation; one that adequately resembles the energy and proficiency of his live performances. Melding driving guitar riffs and propulsive rhythms with atmospheric elements that support the record’s intent, Road is a solid rocker but isn’t amongst Cooper’s greatest releases. While I consider it to be a run-of-the-mill modern hard rock release, others will likely adore it. Of course, when someone like Cooper has such an incredible legacy, it need not matter what we think as fans, for he’s earned the right to be self-indulgent.

Check out the full album on Apple Music.

25. welcome 2 my nightmare (2011)

Nearly four decades after his original conceptual masterpiece, Alice Cooper returned with Welcome 2 My Nightmare, revisiting the surreal dreamscape that made Welcome To My Nightmare such a legendary release. This sequel captures Cooper’s enduring flair for horror-tinged storytelling while infusing his signature theatrics with modern production values, but it ultimately failed to live up to the original.

Despite Welcome 2 My Nightmare expanding the original’s universe, with a contemporary edge and Cooper’s unique blend of grandiose thematic ambition with streamlined songwriting, the story aspect is less paramount to the album experience this time around. Yes, I have wondered if it were due to the absence of a Vincent Price-styled monologue, but I also feel Welcome 2 My Nightmare is a little too long and sometimes when you’ve got a timeless masterpiece, there’s no need for a follow-up. As such, I prefer to enjoy Welcome 2 My Nightmare as a standalone release with a series of excellent tunes and a couple of bangers.

Check out the full album on Apple Music.

24. pretties for you (1969)

Alice Cooper’s debut album, Pretties For You, is a daring outlier in his extensive catalogue—an experimental collage of psychedelic art-rock and avant-garde curiosities that bears little resemblance to his later shock-rock persona. Recorded when the band was still finding its footing, the album mixes whimsical melodies, oddball song structures, and eclectic instrumentation, resulting in an unpredictable listening experience that’s both intriguing and occasionally disorienting.

While Pretties For You lacks the tight focus and theatrical polish of Alice Cooper's later works, its raw ambition and willingness to defy genre conventions make it a fascinating glimpse into the band’s formative creativity.

For listeners curious about the seeds of Cooper’s artistic evolution, this debut offers a glimpse of unfiltered experimentation and the restless spirit that would eventually blossom into a rock-and-roll spectacle.

Check out the full album on Apple Music.

23. dragontown (2001)

Dragontown plunges Alice Cooper into a darker, more aggressive realm, fusing heavy metal riffs with an ominous, almost gothic atmosphere. Emerging in the early 2000s, the album’s sound reflects a world grappling with unease and it permeates throughout the entire record. Yes, Cooper’s snarling vocals ride above thick guitar walls and pounding rhythms, creating an immersive backdrop for themes of power, temptation, and chaos, but it’s one of his albums that just doesn’t have the synergetic element that encourages replayability.

Check out the full album on Apple Music.

22. dirty diamonds (2005)

Straddling the line between his hard-rock roots and a modern edge, Alice Cooper’s Dirty Diamonds delivers a collection of songs that’s polished yet still dripping with attitude. Released amid a revival of interest in classic rock icons, the album features gritty guitar riffs, Cooper’s trademark snarl, and hook-driven tunes.

Overall, the record feels like a deliberate nod to his 70s heyday while incorporating contemporary production values that keep it sounding fresh. Yet, it isn’t the cohesive album experience of his legacy releases. Hence, its position on this list as killer songs alone don’t make for an exceptional album.

Check out the full album on Apple Music.

21. easy action (1970)

Easy Action captures the Alice Cooper band in one of their earliest, rawest, forms—a somewhat unfiltered blast of garage-infused hard rock and proto-shock theatrics. Building on the loose energy of their debut, this sophomore release tightens the group’s sound without sacrificing the gritty authenticity that set them apart. With driving rhythms and snarling vocals, the album channels youthful rebellion and sets the stage for the more elaborate theatrics to come.

Though not as polished as later milestones, Easy Action is essential listening for understanding Alice Cooper’s evolution and origins. Its straightforward production highlights the band’s chemistry and willingness to push musical boundaries and if given the chance, through repeat listens, Easy Action will likely reach into your soul for there’s an undeniable appeal to the album.

Check out the full album on Apple Music.

20. paranormal (2017)

Alice Cooper would embrace his legacy, while engaging with contemporary rock sensibilities, for his 2017 release, Paranormal. Teaming up with long-time collaborator, Bob Ezrin, Cooper delivered a collection of songs that feel both reflective and revitalised. Weaving his trademark theatricality through a modern production, one would expect an album such as this to complement his legendary releases and while there are plenty of moments that do embrace nostalgia, it doesn’t quite deliver the cohesive album experience of its celebrated predecessors.

Check out the full album on Apple Music.

19. brutal planet (2000)

Brutal Planet sees Alice Cooper reimagine his signature shock-rock through an industrial-metal vibe, crafting a dark, dystopian soundscape that reflects the turn-of-the-millennium anxieties. Pairing crushing riffs and mechanised rhythms with Cooper’s sardonic narration, Brutal Planet delivers a visceral listening experience that feels simultaneously futuristic and menacing. As a later-career reinvention, it underscores his willingness to evolve; an aspect that he’s never shined away from during his illustrious career.

While it may challenge listeners expecting 70s-style anthems, Brutal Planet remains a solid addition to Cooper’s extensive discography with one of the greatest title tracks ever recorded.

Check out the full album on Apple Music.

18. Along Came A spider (2008)

Along Came A Spider is another of Alice Cooper’s chilling concept albums. Delving into the twisted mind of a serial killer, this more modern release was always going to weave a dark narrative. However, it's the album’s musicality that’s quite impressive. Infused with heavy metal riffs, industrial textures, and gothic atmospheres, Along Came A Spider creates an unsettling, yet compelling, soundscape that will have you coming back for more.

While it may not contain the anthemic hooks of his other concept albums, songs such as “Vengeance Is Mine” and “Killed By Love” are on par with the best Cooper has ever recorded and help to ensure a cohesive album experience; one that will grow on you the more you listen to it.

Check out the full album on Apple Music.

17. Hey Stoopid (1991)

Hey Stoopid embraces the polished hard‑rock and glam‑metal sensibilities of the early 90s, yet it remained infused with the dark wit and theatrical flair that have always defined Cooper’s works. Backed by a high‑octane production and a lineup of impressive guest musicians, the album balances punchy riffs and arena‑ready hooks alongside Cooper’s unmistakable charm.

Though it didn’t quite reach the heights of Trash, Hey Stoopid remains a compelling listen and if nothing else has one of the most disturbing cover designs from his entire career; one that has earned its place amongst The Worst (And Most Disturbing) Album Covers Of All Time.

Check out the full album on Apple Music.

16. Raise Your Fist And yell (1987)

Raise Your Fist And Yell doubles down on the heavy‑metal intensity and horror‑tinged theatrics with its razor‑sharp guitars and thunderous rhythms that generate a deliberate shift toward a more aggressive sound than its predecessor, Constrictor.

While it lacks the polished presentation of Trash, and failed to spawn a mainstream hit, the album’s relentless drive and unapologetic heaviness have earned it a cult following, proving that Cooper could still surprise, thrill, and command one’s attention despite a shift in direction; an aspect that few artists have succeeded at achieving.

Check out the full album on Apple Music.

15. trash (1989)

Trash is the epitome of late-80s Alice Cooper — slick, radio-friendly, and bursting with glam-metal attitude. Produced by Desmond Child, the album marks a commercial high point for Cooper, led by the massively popular single “Poison,” which quickly became one of his most recognisable tunes. While the album leans heavily into the pop-metal styling of the era, there’s still enough grit and theatrical flair to make it unmistakably Cooper. Ultimately, Trash is one of Alice Cooper’s finest moments, a triumphant return to the mainstream spotlight, and one of the best albums from 1989.

Check out the full review for a more detailed overview of Alice Cooper’s Trash.

14. school’s out (1972)

School’s Out was the album that catapulted the Alice Cooper band from cult curiosity to stadium‑filling rockstar status. Anchored by the anthemic title track—a defiantly celebratory ode to teenage freedom—the album blends gritty hard rock with playful theatricality. With tighter production and sharper riffs than its predecessors, it retains the band’s raw energy while further showcasing Cooper’s flair for crafting singalong hooks and vivid storytelling.

Beyond its iconic lead single, School’s Out offers a balanced mix of hard‑hitting rockers and moodier, introspective tracks that reveal the band’s growing musical sophistication. Ultimately, the album’s cohesive sound and rebellious spirit resonated deeply with a generation, cementing its place as a cultural touchstone and a cornerstone of the Alice Cooper legacy.

Check out the full album on Apple Music.

13. welcome to my nightmare (1975)

Alice Cooper’s Welcome To My Nightmare is a landmark release that not only marked his solo debut but also redefined the concept album. Delving into the dark and twisted recesses of Cooper's imagination, taking listeners on a journey through the nightmares of a troubled mind, with the character Steven serving as the album’s protagonist, was a triumph of creativity and innovation.

From the haunting opening track to the chilling finale, the album immerses listeners in a theatrically surreal world filled with macabre imagery and unsettling melodies. Cooper's emotive vocals and poignant lyrics elevate the music, making it a textbook example of how to write, record, and release a concept album; one that is amongst the greatest albums released in 1975.

Check out the full review for a more detailed overview of Alice Cooper’s Welcome To My Nightmare.

12. killer (1971)

Killer saw the Alice Cooper band sharpening their sound and upping the ante on their theatrical styling. Building on the raw energy from their earlier releases, Killer delves into darker themes and more aggressive arrangements with a tighter and more focused group synergy. Add to that the album’s punchy production and what you’ve got is a killer (pun intended) record that captured the band at a pivotal moment of creativity.

Check out the full album on Apple Music.

11. muscle of love (1973)

Muscle Of Love may focus on juvenile sexual innuendos, but it remains one of the finest albums the original Alice Cooper band ever recorded—and a bittersweet swansong for that lineup. With Bob Ezrin absent from the producer’s chair, Jack Douglas and Jack Richardson expertly guided the sessions, creating a cohesive record that balances gritty rock grooves, psychedelic elements, and dynamic arrangements.

It is the album experience that is at the forefront when considering Muscle Of Love as many of the songs never became live staples or radio hits, yet the album’s adventurous spirit and unfiltered creativity reward listeners who dig beyond the songs themselves. Ultimately, Muscle Of Love is an exceptional, and often underappreciated, gem from Alice Cooper.

Check out the full review for a more detailed overview of Alice Cooper’s Muscle Of Love.

10. billion dollar babies (1973)

Billion Dollar Babies marks the peak of the original Alice Cooper band’s creative and commercial success. Building on the shock rock foundation laid out in previous records, this album is where spectacle and sound collide with maximum impact. It’s bold, theatrical, and bursting with confidence — the sound of a band fully owning their identity and pushing the boundaries of mainstream rock in the early 70s.

Check out the full album on Apple Music.

9. Love it to death (1971)

Love It To Death represents the true breakthrough for the Alice Cooper band, transforming them from cult curiosities into noteworthy hard rockers. The record’s biting riffs, gritty vocals, and emerging theatrical flair signalled a decisive shift away from the garage-band psychedelic rawness that permeated their first two albums.

The lean, yet focused, production balances unrestrained rock power with moments of eeriness and showcases Cooper’s growing confidence as both a frontman and storyteller; a conviction that was built on spectacle, rebellion, and a selection of unforgettable songs.

Check out the full album on Apple Music.

8. constrictor (1986)

Following a three‑year studio hiatus, Constrictor reintroduced Alice Cooper with a lean, hard‑edged rock record that embraced a tighter, more radio‑friendly production. Recorded in the wake of personal struggles and creative reinvention, the album channels a sense of renewed energy and purpose, laying the groundwork for Cooper’s late‑80s resurgence.

More than just a comeback, however, Constrictor is a pivotal chapter in Cooper’s extensive catalogue as it bridges the experimental “blackout” era and the polished glam-metal of Trash, proving he could adapt to the shifting rock landscape without sacrificing his unique persona.

Crisp guitar tones and driving rhythms propel the album forward, underscoring Cooper’s knack for crafting memorable, larger‑than‑life performances and while Constrictor may have flown under the radar upon release, it remains a vital testament to Alice Cooper’s enduring appeal.

Check out the full review for a more detailed overview of Alice Cooper’s Constrictor.

7. zipper catches skin (1982)

Alice Cooper’s Zipper Catches Skin remains one of his most daring and unconventional releases, boldly embracing new wave and post-punk influences while maintaining just enough of his signature theatrical flair. Recorded during a turbulent period in Cooper’s life, the album trades the elaborate shock-rock styling for a stripped‑down, lo‑fi aesthetic that feels both raw and whimsically edgy. Clocking in at a concise 32 minutes, it’s the perfect snapshot of an artist unafraid to pivot and experiment—even if it means alienating some fans in the process.

From the energetic opener “Zorro’s Ascent” to the satirical gem “Make That Money (Scrooge’s Song),” Zipper Catches Skin delivers unexpected highlights at every turn. “I Am the Future” is pure 80s new wave, while “No Baloney Homosapiens” combines infectious hooks with playful lyricism—albeit with a few distracting sound effects. The punk‑tinged “Remarkably Insincere,” the bouncy “I Like Girls,” and the rebellious “Tag, You’re It”, keep the momentum high, leading to the tongue‑in‑cheek closer “I’m Alive (That Was The Day My Dead Pet Returned To Save My Life).”

Though initially overlooked, the album has since garnered a devoted cult following, and its lean runtime makes it an ideal—and surprisingly rewarding—listen from start to finish. It has, subsequently, earned its position amongst Cooper’s greatest works and is amongst the best albums released in 1982.

Check out the full review for a more detailed overview of Alice Cooper’s Zipper Catches Skin.

6. flush the fashion (1980)

Flush The Fashion is one of Alice Cooper’s most daring stylistic pivots, embracing the new wave zeitgeist of its era while retaining just enough of his signature theatrical flair to appeal to longtime fans. Notoriously one of the four albums Cooper barely recalls recording, Flush The Fashion stands out as an underrated masterpiece and one of the best albums released in 1980.

With a runtime of 28 minutes, its conciseness makes for an addictive listen that rewards repeat plays, with every second honed for maximum impact. It may not have the sprawling ambition of some of his bigger releases, but its brevity is its strength, offering a tightly focused snapshot of an artist who has shown repeatedly that he is unafraid to reinvent himself.

Check out the full review for a more detailed overview of Alice Cooper’s Flush The Fashion.

5. from the inside (1978)

Alice Cooper’s From The Inside is one of his most personal and emotionally honest records—a concept album born from his own experiences in a sanitarium. Drawing directly on the struggles and revelations of that turbulent period, the theatrics and raw confession deliver a cohesive narrative that underscores Cooper’s depth as both a performer and songwriter.

Despite its deeply introspective focus, From The Inside strikes a careful balance between dark honesty and melodic accessibility. The production feels warm and empathetic, allowing Cooper’s voice and storytelling to shine without distraction. In the context of his broader catalogue, this album represents a brave pivot; a mature, concept‑driven work that broadened the scope of what an Alice Cooper record could represent. It, subsequently, remains a testament to his artistic resilience and willingness to confront personal demons through music whilst simultaneously being amongst the best albums released in 1978.

Check out the full review for a more detailed overview of Alice Cooper’s From The Inside.

Alice Cooper – Alice Cooper Goes To Hell

4. alice cooper goes to hell (1976)

Alice Cooper’s second solo studio album, Alice Cooper Goes To Hell, plunges listeners into even darker, more theatrical territory. While it may not be the concept album that Welcome To My Nightmare was, Alice Cooper Goes To Hell is more than just a collection of songs—it’s a fully realised musical experience, thanks to Bob Ezrin’s elaborate production and Cooper’s knack for delivering witty, narrative-styled lyrics.

What makes Goes to Hell truly special is its stylistic diversity. Glam-rock anthems like “You Gotta Dance” and swaggering rockers such as “I’m The Coolest” sit comfortably alongside heartfelt ballads like “I Never Cry” and the vaudevillian twist of “I’m Always Chasing Rainbows.” Even the more contentious moments—like the soulful bluesy number “Didn’t We Meet”—add texture to the album, rather than detract from it.

From start to finish, Alice Cooper Goes To Hell showcases Cooper at his most ambitious and remains not only one of his greatest releases but the best album released in 1976.

Check out the full review for a more detailed overview of Alice Cooper Goes To Hell.

3. The Last temptation (1994)

Alice Cooper’s The Last Temptation is one of his most ambitious concept albums. Emerging in the mid‑90s—when grunge and industrial rock were reshaping the musical landscape—Cooper blended his signature shock‑rock style with heavier guitars, brooding synths, and cinematic interludes. The result is an album that can be considered an immersive rock opera; one that feels both modern and rooted in the dramatic storytelling that has defined his career.

While The Last Temptation may not have replicated the commercial heights of his 70s classics or the late 80s Trash-era, it remains one of the greatest records Cooper has ever released.

Check out the full album on Apple Music.

2. lace and whiskey (1977)

Lace And Whiskey is often overlooked in discussions of Cooper's most impactful works, yet it’s one of the most intriguing and theatrical releases from his storied career. Ditching the sinister, mascara-smeared persona, that had become his trademark, Cooper leant into storytelling by adopting the character of a washed-up private eye straight out of a pulp detective novel. The result is an album that blends parody, genre experimentation, and darkly humorous storytelling in ways that are as entertaining as they are unexpected.

From hard-hitting rock numbers to heartfelt ballads, Cooper's ability to convey emotion and tell stories through his music never ceases to amaze. As such, Lace And Whiskey isn’t merely one of the best albums from 1977; it’s one of the greatest Cooper ever recorded and is an overlooked masterpiece.

Check out the full review for a more detailed overview of Alice Cooper’s Lace And Whiskey.

1. dada (1983)

Alice Cooper may not remember recording DaDa, but that doesn’t diminish its brilliance as it is, without a doubt, one of his most fascinating and artistically ambitious works.

Arguably the most surreal and experimental entry in Cooper’s extensive catalogue, DaDa is a polarising listen. Yet, for those willing to immerse themselves in its eerie, theatrical world, it offers a truly unforgettable album experience. From start to finish, there’s not a dull moment—only a journey through haunting sonic landscapes, unsettling humour, and deeply introspective (often unnerving) lyrics that blur the line between performance and psychological exploration.

Produced by long-time collaborator Bob Ezrin, DaDa is more art project than a traditional rock album. Gone are the stadium-ready shock rock anthems, replaced instead with immersive atmospheres and experimental storytelling. Over time, however, DaDa has earned a well-deserved cult following. Whether listeners come for its mysterious aura or stay to dissect what might have been going through Cooper’s mind during its creation, DaDa remains an underappreciated gem but is most certainly deserving of its position as his greatest album (for 1983 as well); from a subjective perspective, of course.

Check out the full review for a more detailed overview of Alice Cooper’s DaDa.

I'm curious—how would you rank Alice Cooper’s Studio albums? Share in the comments!

The Best Albums Of 1985

April 11, 2025

The Best Albums, From All Genres, Of 1985

With a burst of creative energy and innovative sounds that challenged conventions and pushed boundaries, the music scene of 1985 flourished; so much so that there is no shortage of incredible albums to appreciate from the era. Artists across most genres experimented with new production techniques and bold aesthetics which created a sonic landscape that was diverse and forward-thinking while still being a product of its time.

Driven also by visual narratives, thanks to the burgeoning influence of music videos, and the compelling interest in the Compact Disc, and its steady climb as a game-changing format, the record industry was increasingly driven by glitz and glamour, yet the production qualities never faulted. The industry was a melting pot of genres, from the polished pop and rock anthems dominating the charts to the edgy emergence of glam metal and synth-pop, each contributing to a diverse and vibrant musical landscape that would leave a lasting legacy.

At Subjective Sounds, our ranked lists attempt to capture the essence of the era. We pride ourselves on highlighting not only the mainstream chart-toppers but also the hidden gems that helped shape the musical zeitgeist in 1985; even if only via retrospection. With that in mind, let’s take a look at those incredible albums that made the mid-80s such a memorable time in the history of recorded music.

Ranked from best to almost the best, but not quite. Although, depending on your subjective preferences, you may prefer a different order, omit some, or even ponder some that are not included. Trust me, I’ve changed the order countless times because determining the best albums often depends on how one feels at any given moment. Either way, let’s simply enjoy the best music from 1985.

1. John Fogerty – Centerfield

Centerfield is a spirited showcase of John Fogerty’s distinctive blend of rock and heartfelt Americana. His unmistakable vocal grit and evocative songwriting is a standout and with a mix of upbeat anthems and introspective ballads, Centerfield remains a timeless classic and one of the greatest albums ever released.

Check out the full review for a more detailed overview of John Fogerty’s Centerfield.

2. Gary Moore – Run For Cover

Run For Cover showcases Gary Moore’s seamless fusion of blues and rock, highlighting his dynamic guitar prowess and emotive songwriting. With an ability to shift effortlessly between soulful ballads and high-energy rockers, all tied together by Moore’s unmistakable sound and precise production, Run For Cover is not only one of the best albums from 1985, but one of the best and most underrated in all of recorded music history.

Check out the full review for a more detailed overview of Gary Moore’s Run For Cover.

3. Dire Straits – Brothers In Arms

Brothers in Arms is a landmark release in Dire Straits’ illustrious catalogue, celebrated for its rich musical textures and evocative storytelling. While Brothers In Arms is amongst the greatest albums of all time, it is more than just a collection of songs for this masterpiece, with its blend of rock, jazz, and blues influences, is a defining moment in music history.

Check out the full review for a more detailed overview of Dire Straits’ Brothers In Arms.

Russ Ballard The Fire Still Burns Album Cover

4. Russ Ballard – The Fire Still Burns

The Fire Still Burns offers a masterful blend of rock and pop, showcasing Russ Ballard’s exceptional talent as both a songwriter and performer. Featuring a mix of radio-friendly anthems, infectious melodies, and introspective ballads, The Fire Still Burns is amongst the greatest recordings of the era and one of the best rock and roll albums of all time.

Check out the full review for a more detailed overview of Russ Ballard’s The Fire Still Burns.

5. Ratt – Invasion Of Your Privacy

Ratt's Invasion of Your Privacy is a quintessential glam metal album, brimming with sleazy riffs and catchy hooks. With the band's dynamic energy and Stephen Pearcy's distinctive vocals, Invasion of Your Privacy not only cemented their legacy within the hair metal scene but bested their highly successful debut as it pertains to an album-listening experience. From its iconic cover to the compelling music contained within, Invasion of Your Privacy is a must-listen and is worthy of inclusion in any 80s-focused music library.

Check out the full review for a more detailed overview of Ratt’s Invasion Of Your Privacy.

6. Icon – Night Of The Crime

Icon's Night Of The Crime is a standout album from the mid-80s glam metal scene, blending infectious melodies, searing guitar solos, and strong vocals into a polished and dynamic sound. Despite not achieving massive commercial success upon release, the album has since gained cult classic status and is an underappreciated gem in every sense of the term. The album's timeless quality, subsequently, ensures its place amongst the era's most notable releases.

Check out the full review for a more detailed overview of Icon’s Night Of The Crime.

7. Eurythmics – Be Yourself Tonight

Be Yourself Tonight is a bold, pop-rock statement from the Eurythmics, where confident vocals and sleek production converge with catchy hooks and memorable anthems. As such, the album’s spirited blend of rock attitude and pop not only aligns perfectly with the era but will captivate you from the very first note to the last. Be Yourself Tonight is, ultimately, a timeless classic.

Check out the full review for a more detailed overview of Eurythmics’ Be Yourself Tonight.

8. Jimmy Barnes – For The Working Class Man

For The Working Class Man is filled with raw unfiltered rock energy that knows few peers for the grit and determination heard throughout is anthemic. Barnes’ powerhouse vocals are captivating and lead to an authentic delivery that mirrors the resilient spirit of the record but it’s the album’s hard-hitting numbers and relatable themes that ensure it is not only a standout from Barnes’ illustrious career, but one of the greatest rock albums of all time.

Check out the full review for a more detailed overview of Jimmy Barnes’ For The Working Class Man.

9. AC/DC – Fly On The Wall

Fly On The Wall radiates with AC/DC’s trademark no-frills, hard rock energy. From the album’s raw guitar-driven power, to the band's unyielding delivery, this record captures the essence of AC/DC by delivering a straightforward, yet electrifying, experience that is amongst the best music released in 1985.

Check out the full review for a more detailed overview of AC/DC’s Fly On The Wall.

10. Bob Dylan – Empire Burlesque

Empire Burlesque sees Bob Dylan blending his iconic lyricism with a glossy, contemporary production with layered arrangements and bold sonic shifts, which marry traditional Dylan storytelling with a more modern, almost cinematic vibe. Though it may have its detractors, Empire Burlesque is another of Dylan’s artistic reinventions, marking a unique and thought-provoking chapter in his storied career.

Check out the full review for a more detailed overview of Bob Dylan’s Empire Burlesque.

11. Elton John – Ice On Fire

Ice On Fire delivers a vibrant blend of Elton John's signature vocal, piano wizardry, and bold pop-rock sensibilities. The sleek production, dynamic hooks, and energetic flair are perfectly suited to the era and capture both upbeat moments and reflective ballads. Ultimately, Ice On Fire serves as a spirited testament to Elton’s ability to ignite his sound with both passion and precision and is a hidden gem within his extensive catalogue.

Check out the full review for a more detailed overview of Elton John’s Ice On Fire.

12. Dokken – Under Lock And Key

Under Lock And Key sees Dokken honing their heavy metal edge with a polished mix of aggressive riffs and memorable melodies in this mid-80s masterpiece. Featuring a perfect balance between fiery rockers and brooding ballads, driven by Don Dokken’s dynamic vocals and the band’s intricate musical interplay, this record stands as a testament to Dokken’s ability to lock in a sound that is both uncompromising and accessible.

Check out the full review for a more detailed overview of Dokken’s Under Lock And Key.

13. Mötley Crüe – Theatre of Pain

Theatre Of Pain unleashes Motley Crue’s signature blend of raw energy and unbridled attitude. The album’s aggressive riffs, searing vocals, and a dark, edgy atmosphere, capture the band's tumultuous persona. With its mix of hard-hitting anthems and moments of introspection, this record stands as a defining statement in the evolution of glam metal.

Check out the full review for a more detailed overview of Mötley Crüe’s Theatre Of Pain.

14. Bon Jovi – 7800º Fahrenheit

Bon Jovi’s 7800° Fahrenheit is blessed with raw energy and a rock ‘n’ roll attitude, showcasing the band’s early flair and untamed spirit. With its incredible guitar work, commanding vocals, and punchy hooks that encapsulate the mid-'80s rock scene, 7800° Fahrenheit marks a significant, if underappreciated, chapter in Bon Jovi’s musical legacy.

Check out the full review for a more detailed overview of Bon Jovi’s 7800º Fahrenheit.

15. Laura Branigan – Hold Me

Laura Branigan’s Hold Me radiates with the vibrant energy and emotional depth that defined mid-'80s pop. Her powerhouse vocals effortlessly navigate between poignant ballads and buoyant dance tracks, showcasing a refined, radio-friendly sound. With its meticulously crafted production and memorable hooks, Hold Me stands out as a dynamic and essential listen from the mid-80s.

Check out the full review for a more detailed overview of Laura Branigan’s Hold Me.

16. Diana Ross – Eaten Alive

Diana Ross’ Eaten Alive offers a dynamic mix of pop and dance-infused rhythms, driven by high-energy production and powerhouse collaborations. With its polished 80s sound and Ross’ unmistakable vocal presence, Eaten Alive stands as an intriguing entry in her vast catalogue and is amongst the greatest albums released in 1985; thanks, in part to, the influence of Barry Gibb as the main producer and writer for the record.

Check out the full review for a more detailed overview of Diana Ross’ Eaten Alive.

Honourable Mentions (In Alphabetical Order)

These are albums from 1985 that I appreciate but don’t feel are the best of the best. However, there’s some killer music to be heard here, so load up your favourite streaming service and give them a listen, for our music tastes are subjective and you may just come across an album that you consider a masterpiece.

Albert Collins, Robert Cray & Johnny Copeland – Showdown!

Emmylou Harris – The Ballad of Sally Rose

Feargal Sharkey – Feargal Sharkey (Self-Titled) Album Cover

Katrina and the Waves – Katrina and the Waves (Self-Titled)

Mike + The Mechanics – Mike + The Mechanics (Self-Titled)

Orchestral Manoeuvres In the Dark – Crush

Red Lorry Yellow Lorry – Talk About the Weather

Richard Thompson – Across a Crowded Room

Tears for Fears – Songs from the Big Chair

The Charlie Daniels Band – Me and the Boys

The Dream Academy – The Dream Academy (Self-Titled)

The Power Station – The Power Station (Self-Titled)

The Sisters of Mercy – First and Last and Always

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Eagles: Albums Ranked (From Worst To Best)

March 27, 2025

Since their formation in 1971, the Eagles have become synonymous with the Southern Californian sound—a seamless blend of rock, country, and folk that resonated with a generation and continues to do so well into the 21st Century. Emerging from a time when rock was rapidly evolving, the band quickly distinguished themselves with their rich harmonies, intricate musicianship, and storytelling that captured both the beauty and the grit of American life; all while paving the way for a career filled with chart-topping hits and timeless classics.

Over the years, the Eagles refined and redefined their sound but from the get-go, they showcased their willingness to explore and experiment as they straddled the line between country-rock and full-blown arena rock. With each record, they further honed their craft—incorporating increasingly sophisticated arrangements and mature themes. This evolution has not only kept their music relevant across the decades but has cemented their status as one of rock’s most influential groups.

From the carefree optimism of their early days to the reflective depth of their later works, each album offers a unique snapshot of the band’s legacy; one that continues to inspire both longtime fans and newcomers alike.

7. Long Road Out Of Eden (2007)

While Long Road Out Of Eden marked a notable return for the Eagles after decades away from the studio, it remains their most polarising release. The run time bogs down what could have been a stellar collection of tracks, diluting the impact of its standout moments and the album experience as a whole. Had they chosen to not release it as a double album, instead choosing the best 10 songs, Long Road Out Of Eden could have, most certainly, been one of the greatest releases of their career as there’s some incredible music to be heard on this release.

Check out the full album on Apple Music.

6. On The Border (1974)

On The Border represents a crucial transitional phase for the Eagles as they shifted from their early, country-inflected sound toward a more assertive rock styling. This willingness to experiment with edgier rock-centric arrangements, that blended catchy hooks with intricate harmonies, resulted in a release that would offer a broader musical palette.

Without this shift, the music that was to come would have never been realised as On The Border serves as a bridge between the Eagles’ laid-back recordings and the more polished and commercially successful records that would follow.

With its gritty raw production, the album isn’t for everyone, but to ignore it would be foolish for it, along with Desperado and their Self-Titled debut, are the origins of the Eagles’ sound; a musical presentation that has stood the test of time.

Check out the full review for a more detailed overview of the Eagles’ third studio album, On The Border.

5. Desperado (1973)

Desperado stands out as one of the Eagles’ most emotionally charged and narrative-driven records. Constructed almost as a concept album, the album masterfully blends country-rock with poignant balladry thereby creating evocative soundscapes and storytelling that would resonate deeply with listeners.

Ultimately, Desperado is an album of hidden gems, combined with a few hits and a couple of misses but as album experiences go, it’s amongst the greatest of the era; even if it failed to live up to the expectations set via their self-titled debut the year before.

Check out the full review for a more detailed overview of the Eagles’ second studio album, Desperado.

4. One Of These Nights (1975)

Elevating their craft by blending smooth, soulful ballads, with energetic rock tracks marked a clear evolution in the Eagles’ career; a shift that was to be pivotal to the success of Hotel California.

Featuring a polished production, intricate harmonies, and a seamless mix of introspective storytelling with catchy, radio-friendly tunes, One Of These Nights showcased the band’s ability to capture subtle nuances, a laid-back vibe, and a driving rock rhythm that would come to define the Eagles’ legacy.

Check out the full review for a more detailed overview of the Eagles’ fourth studio album, One Of These Nights.

3. The Long Run (1979)

The Long Run captures the Eagles at a complex juncture, reflecting both their musical evolution and the internal strains that would lead to a lengthy hiatus. Despite the highly polished production, with a mature and introspective lyrical approach, The Long Run is somewhat of a bittersweet release for it is one of their greatest records but is also a closing chapter to a band that dominated the 70s.

The Long Run is, of course, more than just a collection of catchy tunes, for it underscores the Eagles’ ability to continue to push creative boundaries even as they grappled with internal challenges. Yes, Long Road Out Of Eden would be their closing chapter as far as studio albums go, and Hell Freezes Over featured four newly recorded tracks, but as enjoyable as those records are, The Long Run is an exceptional final word as it pertains to the Eagles’ classic era.

Check out the full review for a more detailed overview of the Eagles’ sixth studio album, The Long Run.

2. Hotel California (1976)

Often hailed as the Eagles’ magnum opus, Hotel California is a landmark release that is, arguably, the band at their creative peak. With its intricate production, unforgettable musical performances and evocative lyrics, the album masterfully blends rock, country, and pop elements, creating a sonic landscape that captivates and mystifies.

While this album set new standards for production and songwriting, particularly within the rock genre, and cemented the Eagles' reputation as innovative storytellers, if you take away the fanfare and listen with fresh ears, you may understand why it isn’t at the top of this list for their debut is, subjectively, the stronger album experience. Yes, some will vehemently challenge my position here. Still, one would expect their fifth studio album to be impressive, but the debut that started it all was recorded only a year after their formation. That’s got to stand for something!

No matter how you look at it, Hotel California will always be the Eagles’ career-defining work; just don’t let it define your love of their music for there is greatness to be heard within their broader back catalogue.

Check out the full review for a more detailed overview of the Eagles’ fifth studio album, Hotel California.

1. Eagles – Eagles (Self-Titled) [1972]

There’s little doubt that most fans would put The Long Run or Hotel California at the top of their list, but as incredible as those later albums were, I find the Eagles’ self-titled debut to be the most cohesive album experience; one that also highlights the origins and broad range that the Eagles would continue to develop throughout the era.

Drawing heavily on the early 70s country-rock vibe, the album’s warm and rawer production adds to the authentic storytelling that showcased their knack for blending infectious melodies with layered harmonies. It is in its innocence and laid-back charm, that makes this self-titled debut deserving of its #1 position.

Check out the full review for a more detailed overview of the Eagles’ Self-Titled debut.

In wrapping up our ranked list highlighting the Eagles’ studio albums, it’s clear that every record marked a pivotal chapter in the band’s storied career—from their raw, country-infused beginnings to the highly polished, introspective masterpieces of later years.

While music is subjective, and this ranking will likely differ from your own, it is presented with the hope that this exploration inspires you to revisit these classic records for the Eagles have had a timeless impact on the music industry and music lovers.

I'm curious—how would you rank the Eagles' Studio albums? Share in the comments!

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The Best Albums Of 1974

December 17, 2024

The Best Albums, From All Genres, Of 1974

In 1974, the world of music stood at the junction of cultural shifts and creative exploration, producing a vibrant and eclectic mix of sounds that captured the spirit of the era. The early 70s had seen the continued rise of rock, as a dominant force, and by 1974, the genre was branching out in exciting new directions. Progressive rock pushed the boundaries of musical complexity, while glam rock brought theatrical flair and an unapologetic sense of style to the forefront. At the same time, disco's infectious rhythms began laying the groundwork for a cultural phenomenon that would soon dominate dance floors worldwide.

Folk, soul, and funk continued to thrive, reflecting the social and political undercurrents of the time with poignant lyrics and irresistible grooves. Meanwhile, hard rock and the early rumblings of punk hinted at the rebellious energy that would shape the coming decades. 1974 was, ultimately, an era of bold experimentation, genre-defying collaborations, and timeless classics. The albums released this year remain an enduring testament to the creativity and ingenuity of artists who redefined what was possible in recorded music.

1. Skyhooks – Living In The 70’s

Skyhooks’ Living In The 70s is a genre-defying classic that captures the irreverent spirit of its time with sharp wit and a bold sense of identity. With its satirical lyrics, infectious hooks, and a uniquely Australian perspective, the album blends glam rock with a touch of rebellious swagger, creating a soundscape that feels both nostalgic and timeless. From the cheeky commentary of "Horror Movie" to the reflective title track, Living In The 70s remains a testament to Skyhooks' audacious artistry and cultural relevance.

Check out the full review for a more detailed overview of Skyhooks’ Living In The 70’s.

2. Millie Jackson – Caught Up

Millie Jackson’s Caught Up is a soul masterpiece, weaving a raw, emotionally charged narrative of love, betrayal, and heartbreak. With her powerhouse vocals and unapologetic delivery, Jackson takes listeners on a journey through the complexities of relationships, brought to life by lush arrangements and impeccable production. Tracks like "If Loving You Is Wrong (I Don’t Want to Be Right)" showcase her ability to balance vulnerability with fiery confidence, making Caught Up an enduring classic in the annals of soul music.

Check out the full review for a more detailed overview of Millie Jackson’s Caught Up.

3. Ringo Starr – Goodnight Vienna

Ringo Starr’s Goodnight Vienna is a charming blend of pop-rock and lighthearted fun, showcasing the former Beatle’s knack for infectious melodies and an easygoing vibe. Featuring contributions from an impressive roster of collaborators, including John Lennon and Elton John, the album balances upbeat tracks like the title song with heartfelt moments such as "Only You (And You Alone)." Ultimately, Starr’s charismatic personality shines throughout, making Goodnight Vienna an enduring favourite in his solo catalogue.

Check out the full review for a more detailed overview of Ringo Starr’s Goodnight Vienna.

4. Kansas- Kansas (Self-Titled)

Kansas’ self-titled debut is a striking introduction to their signature blend of progressive rock and heartland sensibilities. Packed with intricate arrangements, virtuosic musicianship, and evocative lyrics, the album sets the stage for the band's storied career. Tracks like "Journey From Mariabronn" and "Can I Tell You" showcase their knack for balancing complexity with accessibility, crafting a sound that’s both ambitious and deeply rooted in Americana. Kansas is, subsequently, a powerful opening statement from a band that was destined to become legends.

Check out the full review for a more detailed overview of Kansas’ self-titled debut Kansas.

5. Aerosmith – Get Your Wings

Aerosmith’s Get Your Wings is a gritty, swagger-filled sophomore effort that solidified their place in the pantheon of hard rock. Bursting with bluesy riffs, raw energy, and Steven Tyler’s unmistakable vocals, the album delivers classics like "Same Old Song And Dance" and "Train Kept A-Rollin’." With its mix of attitude and artistry, Get Your Wings captures a band on the brink of superstardom, laying the foundation for their legendary status in rock history.

Check out the full review for a more detailed overview of Aerosmith’s Get Your Wings.

6. Lou Reed – Sally Can't Dance

Lou Reed’s Sally Can’t Dance is an unapologetically raw and sardonic exploration of life. Filled with biting commentary and Reed’s signature deadpan delivery, the album showcases his ability to craft compelling narratives against a backdrop of funky, polished production. Tracks like "Kill Your Sons" and the title track blend sharp wit with a sense of vulnerability, making Sally Can’t Dance a standout in Reed’s eclectic discography.

Check out the full review for a more detailed overview of Lou Reed’s Sally Can't Dance.

7. KISS – Hotter Than Hell

KISS’s Hotter Than Hell turns up the heat with its raw energy, heavy riffs, and anthemic choruses. Packed with hard rock staples like "Parasite" and the title track, this album captures the band’s larger-than-life persona and relentless drive. While the production is gritty, it complements the unfiltered intensity of their sound, making Hotter Than Hell a fiery follow-up that cemented KISS as a powerhouse within the hard rock genre.

Check out the full review for a more detailed overview of KISS’ Hotter Than Hell.

8. KISS – KISS (Self-Titled)

KISS’s self-titled debut is a bold opening statement that introduced the world to their larger-than-life theatrics and high-octane rock ’n’ roll. Featuring enduring classics like "Strutter" and "Deuce," this album combines gritty riffs, infectious hooks, and the band’s undeniable charisma. With its raw energy and unapologetic swagger, KISS laid the groundwork for their meteoric rise and remains a cornerstone of their legendary career.

Check out the full review for a more detailed overview of KISS’ self-titled debut KISS.

9. Elton John – Caribou

Elton John’s Caribou is a vibrant showcase of his versatility and flair, blending pop, rock, and heartfelt balladry with effortless charm. Highlights like "The Bitch Is Back" and "Don’t Let The Sun Go Down On Me" demonstrate his ability to craft chart-topping anthems alongside deeply emotional tunes. Backed by Bernie Taupin’s evocative lyrics and an impeccable production, Caribou captures the energy and brilliance of Elton John at the height of his career.

Check out the full review for a more detailed overview of Elton John’s Caribou.

10. Bee Gees – Mr. Natural

The Bee Gees’ Mr. Natural marks a pivotal moment in their evolution, bridging their early baroque pop style with the soulful sound that would later define their career. Tracks like "Throw a Penny" and the title song showcase their signature harmonies and introspective songwriting, infused with a newfound maturity and depth. Mr. Natural is, subsequently, an underrated gem that captures the Bee Gees’ transition into a more contemporary and polished musical direction.

Check out the full review for a more detailed overview of the Bee Gees’ Mr. Natural.

11. Lynyrd Skynyrd – Second Helping

Lynyrd Skynyrd’s Second Helping is a Southern rock classic, packed with swagger, soul, and unforgettable anthems. Featuring the iconic "Sweet Home Alabama" alongside deeper cuts like "Don’t Ask Me No Questions," this album captures the band’s tight musicianship and storytelling prowess. With its mix of fiery rockers and reflective ballads, Second Helping solidifies Lynyrd Skynyrd’s place as trailblazers within the rock genre.

Check out the full review for a more detailed overview of Lynyrd Skynyrd’s Second Helping.

12. Captain Beefheart & His Magic Band – Bluejeans & Moonbeams

Captain Beefheart’s Bluejeans & Moonbeams takes a surprising turn, trading his usual avant-garde chaos for a smoother, more accessible sound. While it polarised longtime fans, the album offers moments of understated beauty, with tracks like "Observatory Crest" showcasing a softer, melodic side. Though less experimental, Bluejeans & Moonbeams remains a unique entry in Captain Beefheart’s storied discography, blending his eccentricity with a touch of mainstream charm.

Check out the full review for a more detailed overview of Captain Beefheart & His Magic Band’s Bluejeans & Moonbeams.

13. Eagles – On The Border

The Eagles’ On The Border strikes a perfect balance between their country-rock roots and a burgeoning rock edge, marking a pivotal evolution in their sound. Featuring timeless hits like "Already Gone" and the hauntingly beautiful "Best Of My Love," this album showcases the band’s impeccable harmonies and masterful songwriting. On The Border, ultimately, captures the Eagles in transition, setting the stage for their ascent to legendary status in the years to come.

Check out the full review for a more detailed overview of the Eagles’ On The Border.

14. ABBA – Waterloo

ABBA’s Waterloo is a dazzling burst of pop brilliance that catapulted the Swedish quartet to international fame. With its infectious title track, which won the Eurovision Song Contest, and gems like "Honey, Honey," the album brims with vibrant melodies, lush harmonies, and undeniable charm. Waterloo, subsequently, marks the beginning of ABBA’s reign as pop royalty, showcasing their knack for crafting timeless, feel-good anthems.

Check out the full review for a more detailed overview of ABBA’s Waterloo.

15. Blue Magic – Blue Magic (Self-Titled)

Blue Magic’s self-titled debut is a silky smooth showcase of their impeccable harmonies and heartfelt soul. Featuring the iconic ballad "Sideshow" and the lush "Stop To Start," the album captures the essence of 1970s Philadelphia soul. With its seamless blend of romance and sophistication, Blue Magic stands as a timeless gem in the era of classic R&B.

Check out the full review for a more detailed overview of Blue Magic’s self-titled debut Blue Magic.

16. Neil Diamond – Serenade

Neil Diamond’s Serenade is a masterful collection of heartfelt ballads and soaring anthems that highlight his rich storytelling and emotive vocals. Featuring classics like "Longfellow Serenade" and "I've Been This Way Before," the album blends introspection with grandeur. Serenade, ultimately, captures Diamond’s knack for crafting timeless, emotionally resonant songs that continue to inspire and captivate.

Check out the full review for a more detailed overview of Neil Diamond’s Serenade.

Honourable Mentions (In Alphabetical Order)

These are albums from 1974 that I appreciate but don’t feel are the best of the best. However, there’s some killer music to be heard here, so load up your favourite streaming service and give them a listen, for our music tastes are subjective and you may just come across an album that you consider a masterpiece.

Barclay James Harvest – Everyone Is Everybody Else

Frank Sinatra – Some Nice Things I've Missed

Glen Campbell – Houston (I'm Comin' to See You)

Glen Campbell Reunion – The Songs of Jimmy Webb

Jimmy Buffett – Living And Dying In 3/4 Time

Joan Baez – Gracias a la Vida (Here's To Life)

Ray Manzarek – The Whole Thing Started With Rock & Roll Now It's Out Of Control

Return to Forever – Where Have I Known You Before

Richard Thompson & Linda Thompson – I Want to See the Bright Lights Tonight

Ricky Nelson & The Stone Canyon Band – Windfall

The Charlie Daniels Band – Whiskey (Way Down Yonder)

The Rolling Stones – It's Only Rock 'N' Roll

The Sensational Alex Harvey Band – The Impossible Dream

Tina Turner – Tina Turns The Country On!

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The Best Albums Of 1984

October 3, 2024

The Best Albums, From All Genres, Of 1984

In 1984, the world of music underwent a transformative shift, fuelled by the intersection of artistic innovation and advancing technology on both the creative and consumer sides of the spectrum. The rise of the Compact Disc (CD) was just beginning, hinting at the future of music consumption, while vinyl records and cassette tapes still reigned supreme. At the same time, MTV had firmly established itself as a cultural powerhouse, elevating the importance of music videos in shaping artists' images and directly influencing chart success. This era saw musicians embrace visual storytelling alongside their sonic creations, making style and presentation as vital as the music itself.

Musically, 1984 was a year of diversity and experimentation. Synth-pop and new wave had come to the forefront, with electronic sounds dominating the charts, while rock, metal, and punk retained their stronghold with rebellious energy. At the same time, pop music reached new heights with slick, radio-friendly hits that defined the decade’s mainstream sound. Ultimately, 1984 was a year where innovation met tradition, resulting in a rich array of timeless albums that appealed to a broad audience.

1. Metallica – Ride the Lightning

Metallica’s Ride The Lightning stands as a monumental step in the evolution of thrash metal. The album saw the band push beyond the raw aggression of their debut, incorporating more intricate song structures, deeper lyrical themes, and refined production values. Tracks like Fade To Black showcased their ability to blend melody with heaviness, while For Whom The Bell Tolls and the blistering title track cemented their place in metal history. This sophomore effort not only expanded Metallica's sound but also helped solidify the band’s role as pioneers in the genre, making Ride The Lightning a timeless classic.

Check out the full review for a more detailed overview of Metallica’s Ride The Lightning.

2. Joe Jackson – Body And Soul

With Body And Soul, Joe Jackson fused his eclectic blend of jazz, pop, and Latin influences into a sophisticated and polished masterpiece. Paying homage to classic big band and swing sounds, the album is anchored by the iconic single You Can't Get What You Want (Till You Know What You Want), showcasing Jackson’s knack for catchy, thoughtful songwriting. The album’s lush production and ambitious arrangements highlight Jackson’s ability to traverse genres effortlessly, making Body and Soul a classic work that continues to stand out in his varied discography.

Check out the full review for a more detailed overview of Joe Jackson’s Body And Soul.

3. Bruce Springsteen – Born In The U.S.A.

Born In The U.S.A. remains one of Bruce Springsteen’s most commercially successful and culturally resonant albums. Tracks like Dancing In The Dark, Glory Days, and the title track became instant classics, pairing Springsteen’s heartfelt lyrics with radio-friendly hooks. The album's fusion of accessible pop-rock with deeper social commentary helped cement Springsteen's status as both a musical and lyrical icon, making Born In The U.S.A. a defining record of the decade.

Check out the full review for a more detailed overview of Bruce Springsteen’s Born In The U.S.A..

4. Julio Iglesias – 1100 Bel Air Place (Album Review)

Julio Iglesias' 1100 Bel Air Place marked his successful crossover into the English-speaking market, blending his romantic Latin style with a polished pop sensibility. The album’s standout duet with Willie Nelson, To All The Girls I’ve Loved Before, became an international hit, introducing Iglesias to a broader audience. The record features a lush production and smooth balladry, showcasing Iglesias' signature warmth and charisma and, subsequently, remains a defining album for Iglesias, solidifying his status as a global pop icon.

Check out the full review for a more detailed overview of Julio Iglesias’ 1100 Bel Air Place.

5. Billy Ocean – Suddenly

Billy Ocean’s Suddenly catapulted him to international stardom, blending infectious pop hooks with soulful R&B flair. The album’s megahit Caribbean Queen (No More Love On The Run) dominated the charts, with its irresistible groove and smooth production. Ocean’s emotive vocal delivery shines on ballads like the title track Suddenly, further showcasing his versatility as an artist. Add to that a seamless blend of upbeat tracks and tender moments and Suddenly is one of the defining albums of Ocean’s career, leaving an indelible mark on 80s pop music.

Check out the full review for a more detailed overview of Billy Ocean’s Suddenly.

6. Bruce Cockburn – Stealing Fire

Stealing Fire finds Bruce Cockburn blending his poetic lyricism with politically charged themes, set against a backdrop of worldwide and folk-rock influences. Cockburn’s signature guitar work and introspective songwriting shine throughout the record, making Stealing Fire one of his most impactful and enduring works.

Check out the full review for a more detailed overview of Bruce Cockburn’s Stealing Fire.

7. Dan Fogelberg – Windows And Walls

Dan Fogelberg's Windows And Walls is a thoughtful and introspective album that highlights his mastery of storytelling through music. Blending folk, rock, and soft pop, this album offers deeply personal reflections on love, life, and nostalgia. Tracks like The Language Of Love showcase Fogelberg’s ability to craft catchy melodies, while songs such as Windows And Walls capture his poetic sensitivity. With its heartfelt lyrics and lush arrangements, Windows And Walls is a timeless entry in Fogelberg’s catalogue that resonates with emotional depth and sincerity.

Check out the full review for a more detailed overview of Dan Fogelberg’s Windows And Walls.

8. Bon Jovi – Bon Jovi (Self-Titled)

Bon Jovi’s self-titled debut album laid the foundation for the band’s future arena rock success. Packed with anthemic hooks and raw energy, the album introduced their signature blend of hard rock and pop. Runaway became an instant hit, showcasing Jon Bon Jovi’s powerful vocals and the band’s knack for crafting catchy, guitar-driven melodies. While not as polished as their later releases, Bon Jovi captures the raw potential of a band on the rise, marking the start of a career that would eventually take the world by storm.

Check out the full review for a more detailed overview of Bon Jovi’s Self-Titled debut.

9. Scorpions – Love At First Sting

Love At First Sting catapulted the Scorpions into hard rock superstardom, blending electrifying riffs with anthemic choruses. Featuring the iconic hit Rock You Like A Hurricane, the album showcases the band’s mastery of arena rock, pairing soaring vocals with dynamic guitar work. From the power ballad Still Loving You to the hard-hitting Big City Nights, Love At First Sting offers a perfect balance of raw intensity and melodic craftsmanship, solidifying the Scorpions’ place among the legends of 80s rock.

Check out the full review for a more detailed overview of the Scorpions’ Love At First Sting.

10. Julian Lennon – Valotte

Julian Lennon’s Valotte marked an impressive debut, showcasing his undeniable talent and drawing inevitable comparisons to his father, John Lennon. The album’s title track, Valotte, is a beautifully crafted ballad, while Too Late For Goodbyes became an infectious hit, highlighting Lennon’s knack for melodic pop. With its polished production and introspective lyrics, Valotte balances both vulnerability and charm, establishing Julian Lennon as a distinct artist with his own voice, separate from his legendary lineage.

Check out the full review for a more detailed overview of Julian Lennon’s Valotte.

11. Joe Cocker – Civilized Man

Civilized Man finds Joe Cocker blending his signature gravelly voice with polished production, creating a refined yet soulful album. Featuring a mix of powerful ballads and upbeat tracks, the album showcases Cocker’s ability to balance raw emotion with a more accessible pop-rock sound. With its smooth arrangements and heartfelt performances, Civilized Man remains a testament to Cocker’s enduring appeal and versatility as a vocalist.

Check out the full review for a more detailed overview of Joe Cocker’s Civilized Man.

12. Van Halen – 1984

1984 is a defining album in Van Halen’s career, blending their signature hard rock sound with an unexpected but effective embrace of synthesisers. Jump became an instant classic, pairing Eddie Van Halen’s iconic guitar riffs with catchy synth melodies. Meanwhile, Panama and Hot For Teacher capture the band’s high-octane energy and playful spirit. David Lee Roth’s dynamic vocals, combined with the band's musicianship, made 1984 a commercial juggernaut, cementing Van Halen’s place as one of the greatest rock bands of the 80s.

Check out the full review for a more detailed overview of Van Halen’s 1984.

13. INXS – The Swing

The Swing saw INXS refining their blend of new wave, rock, and a touch of funk, crafting a sound that would define their future success. The album’s infectious grooves, slick production, and Michael Hutchence’s charismatic vocals helped solidify INXS as a dominant force in the 80s music scene, with The Swing marking the start of their global rise.

Check out the full review for a more detailed overview of INXS’s The Swing.

14. Iron Maiden – Powerslave

Powerslave is a masterclass in heavy metal, showcasing Iron Maiden at the peak of their creativity. With its intricate guitar work, galloping rhythms, and Bruce Dickinson’s commanding vocals, the album delivers iconic tracks like Aces High and 2 Minutes To Midnight. The epic, nearly 14-minute Rime Of The Ancient Mariner exemplifies the band’s ambition and storytelling prowess. Powerslave is, subsequently, a monumental album that solidified Iron Maiden’s status as one of the most influential bands in metal history.

Check out the full review for a more detailed overview of Iron Maiden’s Powerslave.

15. Meat Loaf – Bad Attitude

Bad Attitude sees Meat Loaf embracing his theatrical rock style with a harder edge. The album blends bombastic anthems and emotional ballads, driven by his powerful vocals and dramatic delivery. Tracks like Piece Of The Action and the title track Bad Attitude showcase his larger-than-life persona, while duets with Roger Daltrey add another layer of depth. Though not as commercially successful as Bat Out Of Hell, Bad Attitude captures Meat Loaf’s unwavering commitment to his signature over-the-top sound.

Check out the full review for a more detailed overview of Meat Loaf’s Bad Attitude.

Honourable Mentions (In Alphabetical Order)

These are albums from 1984 that I appreciate but don’t feel are the best of the best. However, there’s some killer music to be heard here, so load up your favourite streaming service and give them a listen, for our music tastes are subjective and you may just come across an album that you consider a masterpiece.

A Flock of Seagulls – The Story of a Young Heart

Christine McVie – Christine McVie (Self-Titled)

Hagar Schon Aaronson Shrieve – Through the Fire

Honeymoon Suite – Honeymoon Suite (Self-Titled)

Nitty Gritty Dirt Band – Plain Dirt Fashion

Red Hot Chili Peppers – The Red Hot Chili Peppers

Roger Daltrey – Parting Should Be Painless

Roger Waters – The Pros and Cons of Hitch Hiking

Russ Ballard – Russ Ballard (Self-Titled)

The Alan Parsons Project – Ammonia Avenue

I'm curious—what are your favourite albums from 1984? Share in the comments!

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The Best Albums Of 1978

August 6, 2024

The Best Albums, From All Genres, Of 1978

In 1978, the music industry was a vibrant and eclectic space, reflecting the cultural spirit and tastes of the era. Riding high on a wave of creativity and innovation, with artists pushing the boundaries of their craft and producing timeless classics, the music released in 1978 represents some of the very best, and most diverse, to come out of the 70s.

It was also a year of remarkable diversity in musical styles. Disco fever was at its peak, filling dance floors with its infectious beats and glamorous vibes. Rock and roll maintained its stronghold with powerful anthems and guitar-driven melodies, while singer-songwriters continued to captivate audiences with their poignant lyrics and emotive performances. Reggae, funk, soul, punk, new wave, and country crossovers also made significant contributions, adding rich layers to the year's musical tapestry.

Of course, no matter how exceptional the music was it would all be for nil if it failed to make it into the homes of music lovers the world over. As such, music distribution was dominated by the Vinyl record, but Compact Cassettes were also gaining in popularity as they provided a more flexible alternative; one that also permitted home recording. Radio also remained a crucial medium for discovering music throughout the era ensuring that the popular sounds of 1978 melded into the zeitgeist.

1. Willie Nelson – Stardust

The strength of Stardust is that Willie Nelson wasn’t merely recording an album of covers, done in the same style as the originators, for Stardust may remind you of the classic recordings but make no mistake about it, Nelson made these songs his own and in many cases, if not all, I’d go as far as saying these renditions are superior to the original recordings.

Check out the full review for a more detailed overview of Stardust.

2. Bonnie Tyler – Natural Force

Natural Force is one of the best albums released in the 70s and is a landmark record from 1978 that showcases Bonnie Tyler in her prime; captivating audiences with her powerful vocal and rock-infused musical styling. Full of energetic rock anthems, and emotion-filled ballads, Natural Force will appeal to just about any classic rock fan and music lover alike.

Check out the full review for a more detailed overview of Natural Force.

3. Chic – C'est Chic

Some records define a generation, even a genre, and C'est Chic is one such release that sounds as fresh today as it did when it was released in 1978. It’s a classic album, filled with disco, funk, and R&B grooves, that humanity will be gleefully enjoying till the end of time.

Check out the full review for a more detailed overview of C'est Chic.

4. The Jacksons – Destiny

As their third album on Epic Records, Destiny cemented The Jacksons' legacy and is without a doubt their strongest and most enjoyable record. The song selection, musicality, and production values make Destiny not only a landmark disco-pop album, but an incredible example of the merging of electronic, funk, and soul.

Check out the full review for a more detailed overview of Destiny.

5. Leo Sayer – Leo Sayer (Self-Titled)

Released in 1978, Leo Sayer’s self-titled album, his sixth studio recording, is a timeless classic that showcases the singer’s vocal prowess and musical talents. With its blend of pop, rock, and disco, this album offers a diverse range of musical styles that are guaranteed to captivate listeners from start to finish.

Check out the full review for a more detailed overview of Leo Sayer (Self-Titled).

6. Gerry Rafferty – City To City

Released in 1978, Gerry Rafferty’s second solo studio album, City To City, is a classic release that showcases the singer-songwriter's distinctive vocal and skillful songwriting. With a perfect blend of pop, rock, and folk, City To City is not only a timeless record but is amongst the best of Rafferty’s career, particularly considering it features the hits Baker Street and Right Down The Line.

Check out the full review for a more detailed overview of City To City.

7. Dan Hill – Frozen In The Night

Dan Hill's Frozen In The Night is an astonishing release and is not only one of the best albums from 1978, but it’s one of the greatest records released in the 70s. It is truly underrated; a timeless classic!

Check out the full review for a more detailed overview of Frozen In The Night.

8. England Dan & John Ford Coley – Some Things Don't Come Easy

When you think of classic albums, England Dan & John Ford Coley’s Some Things Don't Come Easy probably doesn’t spring to mind, but this 1978 release, their sixth studio album, is a musical masterpiece that showcases the duo's extraordinary musical skills. With a mix of soft rock, pop, and country styles, this album becomes a timeless classic and one of the best recordings of the 70s.

Check out the full review for a more detailed overview of Some Things Don't Come Easy.

9. The Moody Blues – Octave

Released in 1978, Octave is the ninth studio album from The Moody Blues and dare I say one of their greatest, if not their greatest release. Certainly, that perspective is heavily based on subjectivity, for Octave isn’t often at the top of everyone’s list, but when music sounds this good, it is difficult to overlook the addictive mix of upbeat rockers and moving ballads.

Check out the full review for a more detailed overview of Octave.

10. Dire Straits – Dire Straits (Self-Titled)

As far as overall enjoyment and flow are concerned, Dire Straits is up there with their greatest releases and is not only one of the best debut albums of all time but is one of the best albums from 1978. In my mind, it is only bested by their second album, Communiqué; thereby offering a double punch of magnificent rock music that still, to this day, offers a unique experience.

Check out the full review for a more detailed overview of Dire Straits.

11. Alice cooper – from the inside

The songs, either on their own or as a collective, are amongst Cooper’s greatest and while they may get displaced in his illustrious back catalogue, if you take the time to listen to this 1978 masterpiece, you’ll likely position them more prominently in your own Alice Cooper playlist as From The Inside is an exceptional, but criminally underrated album.

Check out the full review for a more detailed overview of From The Inside.

12. Bob Seger & The Silver Bullet Band – Stranger In Town

Stranger In Town is a must-listen classic rock album, from 1978, that contains some of Bob Seger’s greatest hits. With its intentionally meaningful lyrics, and a blues-based rock sound signature, it is also Seger’s most accessible creative endeavour and offers newcomers a wonderful introduction to the American singer/songwriter.

Check out the full review for a more detailed overview of Stranger In Town.

13. Bob Dylan – Street Legal

Street-Legal is compelling and if you give it a chance, without necessarily comparing it to his landmark 60s works, I’ve no doubt you’ll come to a similar conclusion. Sometimes we can be too judgemental in our comparisons and we tend to forget that the aim is to simply enjoy the music. Street-Legal, Dylan's 18th studio album from 1978, allows just that.

Check out the full review for a more detailed overview of Street–Legal.

14. Bruce Springsteen – Darkness On The Edge Of Town

Springsteen and The E Street Band were at the top of their game on Darkness On The Edge Of Town and the album’s so good that if you’re trying to introduce someone to Bruce Springsteen, I don’t believe there is a better album, other than a Greatest Hits compilation, that fully showcases his influences and the origins of the behemoth that Bruce Springsteen would ultimately become.

Check out the full review for a more detailed overview of Darkness On The Edge Of Town.

15. The Angels (Angel City) – Face to Face (International Version)

Known in some regions as Angel City, The Angels’ second studio album from 1978, Face To Face, is memorable for not only the homage paid to AC/DC but to the diversity of music heard throughout. This energetic and diverse collection of rock songs with catchy melodies and hard-hitting rock instrumentation is a timeless classic and is deserving of a place in every respectable rock collection.

Check out the full review for a more detailed overview of Face to Face (International Version).

16. Bob Marley & the wailers – Kaya

Kaya is a timeless reggae classic that showcases Marley's prowess as a singer, songwriter, and performer. With its upbeat, feel-good, tunes and Marley's unique blend of political and spiritual themes, combined with his smooth, soulful voice and catchy melodies, Kaya becomes a must-listen for any reggae music fan.

Check out the full review for a more detailed overview of Kaya.

17. Andy Gibb – Shadow Dancing

Shadow Dancing is an exceptional release that had it been an album released by the Bee Gees, it would have been an absolute chart topper similar to that of Spirits Having Flown. Nevertheless, this classic 70s album, from 1978, is nothing short of a masterpiece and is most certainly a hidden gem. It is Andy Gibb at his very best.

Check out the full review for a more detailed overview of Shadow Dancing.

18. AC/DC – Powerage

Powerage, while underrated, is amongst AC/DC’s greatest recordings as it highlights the raw power and energy of their music. It’s all killer, no filler, pure blues-based rock and roll. If you’re a fan you already know this, but when was the last time you spun this 1978 hard rock classic?

Check out the full review for a more detailed overview of Powerage.

19. Rick James – Come Get It!

Rick James and the Stone City Band were certainly a breath of fresh air to both funk and soul genres when they launched this debut studio album in 1978. Come Get It! is nothing short of a musical masterpiece and is rightfully deserving of its position as not only one of the best records from the 70s, but one of the best albums released in recorded music history.

Check out the full review for a more detailed overview of Come Get It!.

20. The Cars – The Cars (Self-Titled)

The Cars’ debut album is the epitome of new wave, pop rock, and power pop genres and while the band would go on to unveil other exceptional albums, such as Candy-O and Heartbeat City, this self-titled debut can be seen as their most cohesive body of work. It’s all killer, with no filler. A classic 70s masterpiece!

Check out the full review for a more detailed overview of The Cars.

21. The Bar-Kays – Money Talks

Money Talks is a groove-infested, funk, album that you’ll find yourself putting on repeat. Why it wasn’t more successful, and more well-known, is likely due to a lack of marketing, but there is no doubt at all that this is one of those hidden gems that deserves more respect than it is given. It really should be in every music lover’s collection; even yours!

Check out the full review for a more detailed overview of Money Talks.

22. Billy Joel – 52nd Street

52nd Street is the most unique of all of Billy Joel’s albums, in that it doesn’t conform to a natural progression from his previous releases, yet it simultaneously offers music lovers an album filled with infectious melodies, intricate arrangements, and insightful lyrics. It isn't perfect, however, yet I’ll be damned if I don’t admit to thoroughly enjoying it every time I listen to it.

Check out the full review for a more detailed overview of 52nd Street.

Honourable Mentions (In Alphabetical Order)

These are albums from 1978 that I appreciate but don’t feel are the best of the best. However, there’s some killer music to be heard here, so load up your favourite streaming service and give them a listen, for our music tastes are subjective and you may just come across an album that you consider a masterpiece.

Ashford & Simpson – Is It Still Good To Ya

Chris Rea – Whatever Happened to Benny Santini?

Dan Fogelberg – Twin Sons of Different Mothers

Elvis Costello & The Attractions – This Year's Model

Johnny Cash – I Would Like To See You Again

Neil Diamond – You Don’t Bring Me Flowers

Pat Metheny Group – Self-Titled Album Cover

REO Speedwagon – You Can Tune A Piano, But You Can’t Tuna Fish

Rick Derringer – If I Weren’t So Romantic, I’d Shoot You

Status Quo – If You Can’t Stand The Heat

Steve Reich Ensemble – Reich: Music For 18 Musicians

Village People – San Francisco Macho Man

I'm curious—what are your favourite albums from 1978? Share in the comments!

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The Best Albums Of 1989

July 30, 2024

The Best Albums, From All Genres, Of 1989

In 1989, the music industry was at a crossroads, characterised by a dynamic mix of genres and technological advancements that reshaped how music was created and consumed. The Compact Disc (CD) had firmly established itself as the dominant format, offering what was touted (and sometimes challenged) as superior sound quality and durability compared to vinyl records and cassette tapes. This transition to digital formats was accompanied by the continued rise, and importance of, music videos and television performances that continued to influence popular music trends by emphasising visual elements alongside exceptional music.

Speaking of trends, the period was notable for the blending of genres and the emergence of new musical styles. Hard rock and heavy metal bands enjoyed widespread popularity, while pop artists continued to dominate the charts with catchy, radio-friendly hits. The influence of funk, soul, and R&B was evident in many releases, and with such diversity in musical tastes, the rich tapestry of music released in 1989 catered to a broad audience.

Ranked from best to almost the best, but not quite. However, depending on your subjective preferences, you may prefer a different order, omit some, or even ponder some that are not included. Trust me, I’ve changed the order countless times because determining the best albums often depends on how one feels at any given moment. Either way, let’s simply enjoy the best music from 1989.

1. Mötley Crüe – Dr. Feelgood

Released on August 28, 1989, Dr. Feelgood marked a high point for the band, both creatively and commercially. With a polished production and hard-hitting tracks like Kickstart My Heart and the album's title track, Mötley Crüe showcased their ability to blend catchy melodies with a gritty rock sound. Add to that the sensational power ballad Without You and there is no doubt as to why Mötley Crüe is, and was, one of the leading acts in the glam metal genre; particularly in 1989.

Check out the full review for a more detailed overview of Mötley Crüe’s Dr. Feelgood.

2. Billy Joel – Storm Front

Released on October 17, 1989, Storm Front features introspective and socially conscious lyrics. The album's combination of rock and pop elements, along with Joel's storytelling prowess, made it a critical and commercial success. With musical highlights, such as the lush and bluesy Shameless, the jazzy upbeat When In Rome, as well as the masterpiece that is Leningrad, there is little doubt as to why Storm Front is not only one of the best albums released in 1989, but one of Billy Joel’s greatest career releases. Oh, and I forgot to mention the hit single We Didn't Start The Fire. Storm Front, really, is an album experience without a dull moment to be heard.

Check out the full review for a more detailed overview of Billy Joel’s Storm Front.

3. Aerosmith – Pump

Released on September 12, 1989, Pump continued the band's resurgence in the late ‘80s with hits such as Love In An Elevator, Janie's Got A Gun, and What It Takes. Pump further demonstrated Aerosmith's knack for combining bluesy rock riffs, with the occasional power ballad, and contemporary production values, all of which reaffirmed their status as rock icons.

Check out the full review for a more detailed overview of Aerosmith’s Pump.

4. Bob Dylan – Oh Mercy

Released on September 12, 1989, Oh Mercy is amongst Bob Dylan’s greatest recordings, following a somewhat lacklustre series of releases throughout the 80s. Featuring a highly polished sound and the introspective lyrics that the singer/songwriter is renowned for, tracks like Most Of The Time and Man In The Long Black Coat are standouts that ensure Oh Mercy is an essential listen and one of the best albums from 1989.

Check out the full review for a more detailed overview of Bob Dylan’s Oh Mercy.

5. Lenny Kravitz – Let Love Rule

Released on September 6, 1989, Let Love Rule, introduced Lenny Kravitz's eclectic mix of rock, funk, and soul. The album's title track along with songs like Mr. Cab Driver and I Build This Garden For Us showcased Kravitz's retro-inspired sound, with a modern and timeless twist, earning him a place as a distinctive new voice within the music industry.

Check out the full review for a more detailed overview of Lenny Kravitz’s Let Love Rule.

6. Faith No More – The Real Thing

Released on June 20, 1989, The Real Thing was a groundbreaking work that blended metal, funk, and alternative rock. Featuring the hit single Epic, a song that became a defining track of the late 80s and early 90s, The Real Thing has it all with a selection of incredible songs, making it an essential listen for any music enthusiast.

Check out the full review for a more detailed overview of Faith No More’s The Real Thing.

7. Electric Boys – Funk-O-Metal Carpet Ride (Re-Release)

Delivering a unique fusion of funk and metal, Funk-O-Metal Carpet Ride is an exceptional debut from Electric Boys that features a playful and energetic sound. Each track offers something unique, from high-energy anthems to soulful ballads, yet the album’s fluidity is to be praised as there isn’t a dull moment to be heard with its eclectic mix of funk, metal, and rock.

Check out the full review for a more detailed overview of Electric Boys’ Funk-O-Metal Carpet Ride.

8. Alice Cooper – Trash

Released on July 25, 1989, Trash saw the shock-rock legend embracing a more mainstream, glam-metal sound. The album's lead single, Poison, became a major hit, introducing a new generation to Cooper's theatrical style. However, Trash is an album experience that goes beyond a single song. With songs such as the hard rocking Bed Of Nails and the exceptional power ballad, Only My Heart Talkin’, there is little doubt as to why Trash became a career comeback release for the shock rocker and is amongst the greatest albums of 1989.

Check out the full review for a more detailed overview of Alice Cooper’s Trash.

9. Michael Bolton – Soul Provider

Released on June 19, 1989, Soul Provider features a mix of pop, soft rock, and soul-styled songs that culminate in, arguably, Michael Bolton’s greatest release. Featuring the hits How Am I Supposed To Live Without You, How Can We Be Lovers, and From Now On, Soul Provider, as an album, encapsulates Michael Bolton's strengths as a vocalist and songwriter and is worthy of inclusion amongst the best recordings of 1989.

Check out the full review for a more detailed overview of Michael Bolton’s Soul Provider.

10. Elton John – Sleeping With the Past

Released on August 29, 1989, Sleeping With The Past was a tribute to the rhythm and blues sounds of the '60s and ‘70s with a late-80s twist and high production values. Featuring hits like Sacrifice and Healing Hands, this exceptional release showcased John's ability to blend emotional depth with soulful melodies. The result is that Sleeping With The Past is another of John’s timeless classics.

Check out the full review for a more detailed overview of Elton John’s Sleeping With The Past.

11. Cher – Heart Of Stone

Released on June 19, 1989, Heart Of Stone saw Cher achieve a successful career resurgence with a collection of powerful pop-rock ballads. While most casual fans will point to the iconic If I Could Turn Back Time, Cher's distinctive vocal and dramatic flair resonated throughout, ensuring that this release was one of her most successful.

Check out the full review for a more detailed overview of Cher’s Heart Of Stone.

12. Nazareth – Snakes 'n' Ladders

Snakes 'N' Ladders continued the band's legacy with a mix of hard rock and blues influences and tunes. Although not as commercially successful as some of their earlier works, the album showcased the band's enduring talent and ability to adapt to changing musical landscapes and is a hidden gem, within their extensive back catalogue.

Check out the full review for a more detailed overview of Nazareth’s Snakes 'n' Ladders.

13. Queen – The Miracle (Album Review)

Released on May 22, 1989, The Miracle is a remarkable, significant, and memorable musical achievement by Queen that includes the well-known hits I Want It All, Breakthru, and the hidden gem, Scandal. Whichever way you look at it, with a blend of rock, pop, and operatic influences, The Miracle is one of Queen’s greatest records and is a landmark release from the era.

Check out the full review for a more detailed overview of Queen’s The Miracle.

14. Spandau Ballet – Heart Like A Sky

Released on September 18, 1989, Heart Like A Sky is an often-overlooked gem that encapsulates the band's sophisticated pop and new wave sound. Successfully blending these styles with smooth melodies and reflective lyrics, songs such as Be Free With Your Love and Raw add to the overall timeless appeal of the record.

Check out the full review for a more detailed overview of Spandau Ballet’s Heart Like A Sky.

15. Tracy Chapman – Crossroads

Released on October 3, 1989, Crossroads followed Tracy Chapman’s successful debut with a collection of songs that delved into social issues and personal introspection, thereby making it not only an essential listen but a timeless one. Chapman's powerful vocal is most certainly a highlight, as are the production qualities and the backing band. When combined, it becomes one of the best albums from 1989 for Crossroads isn’t just a collection of songs, but an album experience; one that should be in every music lover’s collection.

Check out the full review for a more detailed overview of Tracy Chapman’s Crossroads.

16. Chris Rea – The Road To Hell

Released on October 30, 1989, The Road To Hell combines Chris Rea's blues-influenced rock with insightful lyrics. The album's title track is one of Rea's most iconic songs, reflecting themes of societal disillusionment and introspection, but each track contributes to the album's cohesive narrative, making it a standout in Rea's career and one of the strongest releases from 1989.

Check out the full review for a more detailed overview of Chris Rea’s The Road To Hell.

17. Belinda Carlisle – Runaway Horses

Released on October 3, 1989, Runaway Horses confirmed Belinda Carlisle’s successful transition from the lead singer of The Go-Go's to a well-respected solo artist. Featuring hits like Leave A Light On and Summer Rain, the blending of pop-rock sensibilities with Carlisle's distinctive vocal ensures that this quintessential 80s album is not only memorable but offers fans and newcomers a rewarding listening experience.

Check out the full review for a more detailed overview of Belinda Carlisle’s Runaway Horses.

18. Resurrection Band – Innocent Blood

Resurrection Band's Innocent Blood is notable for its blend of blues-based rock and roll with deep, meaningful lyrics. The album's gritty sound and socially conscious themes set it apart in the rock landscape of the era. However, don’t let the lyrical direction and Christian rock values deter you for Innocent Blood represents some of the very best rock and roll you’re ever likely to hear.

Check out the full review for a more detailed overview of the Resurrection Band’s Innocent Blood.

19. Don Henley – The End of the Innocence

Released on June 27, 1989, The End Of The Innocence highlights Don Henley’s lyrical prowess, solo rock chops, and ability to address complex themes with sensitivity and depth. With memorable tunes such as New York Minute and the title track, amongst many others, this record stands out as not only a timeless work but one that offers a cohesive album experience from start to finish.

Check out the full review for a more detailed overview of Don Henley’s The End Of The Innocence.

Honourable Mentions (In Alphabetical Order)

These are albums from 1989 that I appreciate but don’t feel are the best of the best. However, there’s some killer music to be heard here, so load up your favourite streaming service and give them a listen, for our music tastes are subjective and you may just come across an album that you consider a masterpiece.

Alannah Myles – Alannah Myles (Self-Titled)

Enuff Z'Nuff – Enuff Z'Nuff (Self-Titled)

Faster Pussycat – Wake Me When It's Over

Fine Young Cannibals – The Raw & the Cooked

Jefferson Airplane – Jefferson Airplane (Self-Titled)

Kenny Rogers – Something Inside So Strong

Kool G Rap & DJ Polo – Road to the Riches

Linda Ronstadt – Cry Like a Rainstorm, Howl Like the Wind

Love and Rockets – Love and Rockets (Self-Titled)

Ministry – The Mind Is a Terrible Thing to Taste

Pop Will Eat Itself – This Is the Day...

Rage of Angels – Rage of Angels (Self-Titled)

Stevie Nicks – The Other Side of the Mirror

Stevie Ray Vaughan & Double Trouble – In Step

I'm curious—what are your favourite albums from 1989? Share in the comments!

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The Worst (And Most Disturbing) Album Covers Of All Time

July 16, 2024

While you should never judge an album by its cover, some album artwork is so atrocious that one can only wonder why, how, and who thought that it was representative of the music within.

While there are numerous examples of truly cringeworthy artwork, this list will only consist of albums that I have in my physical collection or digital library. Hence, you likely won’t find many of the common ones found in other lists such as The Beatles’ Yesterday And Today or John Lennon and Yoko Ono’s Two Virgins: Unfinished Music Vol. 1. Nor will you find the oddities that no one cares to even listen to. No need to worry, however, as Black Sabbath’s Born Again is most certainly featured in this list.

Keep this page bookmarked for the list, in alphabetical order, will be updated regularly.

A$AP Rocky – AT.LONG.LAST.A$AP

AT.LONG.LAST.A$AP is a sonic masterpiece, but that distorted album artwork gives me the heebie-jeebies.

It's a homage to the late A$AP Yams, but there are many better ways to honor the dead.

Albert King & Otis Rush – Door to Door

Well, Otis Rush is missing from the album cover while Albert King looks as if he’s in agony.

Look, I know this is the blues, and the intent is to show emotion, but it’s one of the worst album covers in my collection as a shot up someone's nose has never been appealing.

Alice Cooper – Dirty Diamonds

For a musician of Alice Cooper’s status, Dirty Diamonds is pathetically bad. It is as if Cooper couldn’t be bothered trying. Sure, Dirty Diamonds is far from Cooper's greatest album, and it was released on an independent label, but it simply doesn’t live up to the shock-rock hype that is Cooper's trademark.

Alice Cooper – Hey Stoopid

The shock rocker didn’t disappoint with Hey Stoopid but this album artwork most certainly falls into the disturbing category.

I’ve got a copy on vinyl that thankfully sounds fantastic for the skull doll, mimicking Alice, looks hauntingly into your soul every time I pull the album out. It’s like a grown-up Chucky doll!

Anne-Marie – UNHEALTHY

There are moments in every artist's career when an ideal stands above and beyond common sense. This is one such example and while I understand and respect Anne-Marie's approach to buck the visual expectations associated with the music industry and stardom, I can't help but feel this is the album cover that she'll come to regret as her career progresses and she wishes to be taken more seriously.

Barenaked Ladies – Stunt

While there’s fundamentally nothing wrong with the artwork for Barenaked Ladies’ album Stunt, it’s creepy and is only marginally better than their 1996 album cover for Born On A Pirate Ship.

If you’re after a really good piece of cover art, from the Barenaked Ladies, check out Maybe You Should Drive.

Baroness - Yellow & Green

Okay, so those artists within the sludge metal genre need to shock audiences a little, from time to time, but the sacrificial suggestion here is a little over-the-top.

It simply doesn’t send a positive message to those from outside of the genre and that’s a shame considering it's a solid album.

Bee Gees – Cucumber Castle

The Bee Gees sans Robin Gibb was always going to be a tough sell, but Cucumber Castle has just about the worst cover that could have ever been created for a mainstream artist.

Cucumber Castle may have been a soundtrack to the associated quirky comedy film but a lot of people really didn’t think it through.

Billie Holiday – Recital

Released as a compilation of songs from Billie Holiday and An Evening With Billie Holiday the artwork shares its core with the 1953 release of An Evening With… but it makes the songstress look like a demonic vampire.

I get the art style, but this is disturbing and one of the worst album covers I’ve ever come across.

Black Sabbath – Born Again

Ian Gillan apparently threw up when he saw the album artwork that Sabbath maestro Tony Iommi approved. Well, I don’t know about you, but I back Gillan’s attempt to expel the devil for this is one nasty piece of cover art.

Yes, it’s Black Sabbath, but this is one step too far, even for them.

Blind Melon – Blind Melon

I do not doubt that some people will find the eponymous cover art for Blind Melon adorable; it isn’t!

You’ve got to feel for drummer Glen Graham’s younger sister, the Bee Girl, for that is the most embarrassing photo forever encroached upon her life through the success of the album.

Bret Michaels – Songs Of Life

Okay, so Poison never had the most appealing album covers but this is a truly cringeworthy cover from Poison’s frontman, especially considering the album was released in 2003.

Hey, I’m all for a good physique but it looks like it was put together by an internet-based fan club page…from 2003.

Bruce Dickinson – Tyranny Of Souls

Dickinson is a legend as the Iron Maiden frontman and while his solo output is musically fantastic, the album artwork is nothing compared to Maiden’s. While some may point to Accident At Birth being creepier, the sagging Devil’s man boobs, if it is a man, seriously creep me out.

I wouldn’t look into the album cover for too long, it will steal your soul!

Bryan Adams – Get Up

When you’ve sold more than 100 million records you can pretty much do anything you like but this has to be Bryan Adams’ worst cover for no other reason than it simply doesn’t make sense.

The covering of the face, is that some kind of new Illuminati sign?

Carly Simon – Never Been Gone

How do you go from the beauty and elegance of No Secrets to this monstrosity?

Never Been Gone is, without a doubt, one of the worst album covers of all time. What was she thinking?

Cerrone – 3 - Supernature

There’s a reason why you should never judge a book by its cover and that reason extends to albums; particularly Cerrone’s 3 - Supernature. Released in 1977, 3 - Supernature would have terrified older generations, and it still does, for you need to get past the album artwork before you can enjoy the addictive, and sonically impressive, disco vibe.

While Cerrone’s artwork is often interesting, 3 - Supernature is the most bizarre and disturbing. It is without a doubt one of the worst album covers I’ve ever come across.

Chuck Berry – Berry Is On Top

The 50s are littered with questionable album artwork and this is no exception.

Yes, we all get the pun, but jeez this is a shocking piece of cover art. I’d even go as far as saying that it’s insulting to Berry himself for the Father of Rock and Roll deserved far more.

Cliff Richard – 40 Golden Greats

The idea is sound. It works as a reflective piece of art depicting Cliff Richard’s legacy, but every time I look at this album artwork I think of the T-1000 shapeshifting assassin from Terminator 2: Judgment Day.

Yes, dear reader, once you see it you can’t unsee it. Sorry!

Coil – Scatology

It’s a little cheeky, isn’t it?

Interestingly, the buttocks meets an inverted cross and the implication of excrement wasn’t the initially chosen cover for the album when released in 1984, for it was initially released with an anal staircase that arose from what could be considered the bottom of a toilet bowl.

Regardless of the original intent, the revised artwork that is now prevalent is still in poor taste. Even agnostics would have to agree that there is a line that shouldn't be crossed when it comes to an inverted cross and while the album is a solid release from 1984, one could argue that this electronica release could have been well served with different artwork.

Corey Taylor – CMFT

To put it mildly, I was in shock when I saw the album artwork for CMFT. It’s underwhelming for someone of his stature and as a living legend, he quite frankly deserved better.

Plus, I can’t quite figure out if it’s a new design for a WWE wrestling belt or a biker’s patch.

Crash Test Dummies – Give Yourself A Hand

This album artwork is wrong on so many levels but more importantly, it’s just a bad piece of visual art. God Shuffled His Feet is significantly better.

Plus, is it just me, or do stuffed and blown-up dolls, creep you out too? It’s not quite Chucky but it isn’t far off either.

David Bowie – Toy (Toy:Box)

Posthumous releases are generally controversial and this shocking artwork is no exception. While it has been said that Bowie himself greenlit the artwork, it goes into the category of what was he thinking? Similarly, his estate should have reconsidered the artwork upon release but I guess it is true to his artistic experimentation, even if it is disturbing.

Elton John – One Night Only

Longtime readers will note my admiration for Elton John, but this album’s artwork makes me cringe every time I see it.

Perhaps Billy Joel was right when he suggested that John should stop releasing albums for his cover art is getting worse as he ages. All one needs to do is look at The Lockdown Sessions to know that the Elton we know and love is no longer at the helm.

Elvis Presley – Elvis Country

Okay, so some may proclaim the artwork as being cute. Nope, no, I’m not one of them.

I get it, they wanted to take us back to the origins of Elvis and while the album artwork in this case works, it is cliché and I’d argue that it would have been embarrassing for the King of Rock and Roll!

Escape The Fate – Chemical Warfare

Gas masks, by their very nature, are creepy and with what we’ve all been through over the last couple of years, the last thing we need to see is artwork that depicts such despair.

While I’d love to say this disturbing artwork is from a time before our current zeitgeist, Chemical Warfare was released in 2021.

Fat Boys – Fat Boys (Self-Titled)

If you thought muckbang was merely a modern trend, thanks to consumer-created social media, then you’ll be in for a surprise for the Fat Boy’s 1984 self-titled debut is, arguably, a predecessor.

Granted, they’re not actually stuffing themselves with food, but it is somewhat implied. Now, you can either be for or against fat shaming but that doesn’t really factor in here as the Fat Boy’s debut is a really solid Hip Hop release from 1984, one that didn’t need a gimmick to get them noticed.

Fleetwood Mac – Heroes Are Hard To Find

Fleetwood Mac is no stranger to quirky cover art designs. All you need to do is look at Mr. Wonderful and English Rose to see their unique artistic expression. Yet, when it comes to Heroes Are Hard To Find, one can’t fathom what was going through the collective minds (of the band and the record label) for the cover art featuring Mick Fleetwood and his three-year-old daughter Amelia is beyond creepy.

Galantis – Pharmacy

What a cute little…ahhhh!!!

Okay, so it’s kinda cute, when it’s not creepy, but let’s be honest and ask ourselves where the actual cat’s face went? Cringeworthy? Yes!

No doubt an interesting concept, but the meaning and relationship to the music are somewhat lost on me.

Graeme Connors – The Best...'til Now

So cringeworthy!

Seriously, if this is the best that Graeme Connors could release then you certainly aren’t going to be tracking down this album based on the artwork. A shame considering he’s a very talented musician with otherwise exceptional album artwork.

Horisont – Sudden Death

Yes, dear reader, this album artwork needs no interpretation for it is literal to the album’s title.

Horisont has some incredible album artwork, such as that seen on About Time. I truly believe that they could have been more inventive here and that a little less death, in our current time, would be appreciated.

Iggy Pop – Beat Em Up

Who doesn’t like a little Iggy Pop?

While I don’t dislike this cover art per se, it’s one that I feel awkward looking at or displaying when playing the album, especially in front of my family. Yes, that likely says more about me than the album artwork, but I’ve no doubt many will find this disturbing, hence its inclusion.

Jimmy Barnes – Out In The Blue

When you think of the Cold Chisel frontman, this most certainly isn’t the artwork that you’d immediately think of.

There is no doubt in my mind that an artist of Barnes’ stature deserves better album artwork and it’s artwork such as this that detracts from the music itself.

John Wesley – A Way You'll Never Be

Yes, dear reader, it reminds me of Pink Floyd’s cover art for Wish You Were Here but perhaps even more disturbing is the lack of correlation with the album’s title, song names, and the music.

I’m not saying the artwork is bad, but it’s mildly disturbing in a way that Pink Floyd’s isn’t.

Johnnie Taylor – Super Taylor

Johnnie Taylor didn't pass away until the 31st of May, 2000, yet that didn't stop his record label from reissuing his 8th studio album (in 1993) with a cover art design that one would expect to see at the man's funeral or memorial service.

It's, by far, his worst album cover, which is a shame considering this 1974 release contains a stellar lineup of soul-based tunes that fans of the genre and Taylor will thoroughly enjoy.

Let's hope that someone, at the record label, addresses this and returns the album to its former glory.

Kadavar – Rough Times

Okay, so whoever this was is having a very hard time.

As with many of the album covers featured here, I can see the intent they were going towards but as I age, I become increasingly aware of my own mortality, and art such as this becomes disturbing rather than simply being cool; a killer album nonetheless.

Kesha – Gag Order

Asphyxiation should never be presented in this manner as Gag Order reminds me of a suicide bag; a very real device used for such a purpose. It amazes me that the record label would let this go out. While I believe in art as a form of expression, when suicide is a key issue in our modern society, the last thing we need is to be exposed to imagery like this. Music should empower, and uplift us, and while the music contained within Gag Order is solid, the album cover is so disturbing that I have no intention to ever listen to it again.

Korn – Korn (Self-Titled)

Korn is one of my favourite bands. Their music is infectious but their artwork is often creepy as hell.

I get it, their lyrics tell similar stories and delve deep into the twisted human psyche, but as a father, Korn’s Self-Titled artwork creeps me out.

Korn – Life Is Peachy

You’ve gotta love the concept Korn went for on their second studio album but you can’t look at it without getting a shiver up and down your spine.

I don’t know about you, but I may never look into a mirror the same way again, for who knows what I may see.

Korn – Requiem

Korn’s latest release has to be the worst album cover they’ve ever approved. It’s so disturbing that I’m surprised it got past the censors.

Does it tarnish the music, YES!

If you’ve got any doubt about how bad this artwork is, check out the animated art on Apple Music; truly disturbing!

Marilyn Manson – Holy Wood

Manson, like Korn, is controversial but the sacrificial imagery goes a little too far for many people.

Don’t get me wrong, the design is great and works well within Manson’s persona and the intended purpose of criticising censorship and martyrship, but it is nevertheless disturbing.

Marilyn Manson – Portrait of an American Family

Yeah, the Manson family!

By this stage, we all shouldn’t be shocked by Marilyn Manson but this is one piece of nasty album artwork. That said, what a better way to launch one’s self with artwork that would shock.

Still, I don’t wish to own this on vinyl. It gives me the heebie-jeebies!

Metallica – Load

Frank from Channel 33 RPM put it perfectly, “you can’t unsee this”!

Yes, dear reader, the artist entitled this piece: "Semen and Blood III" and guess what, that is the literal interpretation for it really is the artist’s bodily fluids. I’m unsure if this comes under worst, or disturbing, but maybe interesting would be a more valid category!

Metallica – Reload

Reload continues the interesting aspect for Andres Serrano was at it again, melding bovine blood and urine on this one.

Of course, when I think of reload, in context with the previous album cover, I see a scrotum that has been in the tighty-whities for too long. My interpretation certainly plays into the Load artwork but either way, it’s disturbing.

Michael Henderson – Slingshot

Okay, I swear this wasn’t planned to follow Load and Reload but sometimes things just fall into place.

Seriously, Slingshot is a great album but the artwork is cringeworthy; even with Henderson’s buffed physique.

It's another questionable piece of album artwork from the 80s.

Midnight Oil – Breathe

It isn’t just the shock rockers that want to be noticed for the politically charged environmentalist band, Midnight Oil, absolutely wished to send a message with this artwork and while I agree with their intent, it’s disturbing to look at.

This is most certainly one piece of their catalogue that I don’t wish to own on vinyl. Yes, music comes first but I have to look at the artwork!

Ministry – Dark Side of the Spoon

Yes, Dark Side Of The Spoon’s album artwork created controversy. So much so that the album was pulled from some retailers upon release.

Obviously, one can’t appreciate Dark Side Of The Spoon without seeing the correlation to Pink Floyd’s Dark Side Of The Moon, but Dark Side Of The Spoon has multiple meanings. Yes, the artwork presents another perspective but the album’s title was more closely aligned to their addiction to heroin at the time, thereby making the album title a logical choice.

Neil Young – Everybody’s Rockin’

It was the 80s. Everything was pink. Knee-high socks were in style and, yes, I grew up in the 80s. All I can be thankful for is that my formative years were positioned firmly in the 90s.

Seriously, Neil, what were you thinking? Pink really isn’t your colour! Great album though!

The Notorious B.I.G. – Ready To Die

Maybe it’s just me but kids should never be associated with the word die. I’d even go one step further and suggest that kids shouldn’t be included in album artwork as they lack the ability to make individual and informed choices.

That, of course, is a discussion for another day!

One Less Reason – Precursors, Vol. 1

Over the years I’ve seen my fair share of horror films but the grotesque parts are often shown in the blink of an eye. Well, album artwork, unless it is the animated album artwork on Apple Music, doesn’t move and you have to look at it.

Plus, let’s be honest, this album’s art isn’t even very good so it falls into both the worst and disturbing categories.

Orleans – Waking & Dreaming

They may be a bunch of good-looking guys, but this is one album that you'll want to listen to with your ears for it is near impossible to take Orleans seriously with this cover art. Seriously, who thought this was a good idea?

Otep – Atavist

Okay, so this is a really cool piece of artwork but it’s included here because I’m certain that it will disturb many of you.

There’s plenty to unpack here, but it is the overarching satanic meaning and interpretation that will bring many to shy away from Otep’s Atavist.

Ringo Starr – Stop And Smell The Roses

Okay, so the 80s was a cringe-worthy time that even nostalgia can't remedy, but what was the former Beatle thinking when he agreed to the album artwork for Stop And Smell The Roses? Granted it isn't as bad as Old Wave as it looks like a mugshot was chosen for the cover, but it simply doesn't synchronise with Ringo's legacy. Although, when I think about it, the Fab Four did release Yesterday And Today; some really disturbing album artwork! Click on the link if you dare, for once you see it, you can't unsee it.

The Rolling Stones – Undercover

The Stones have certainly had some interesting and inventive album artwork that took advantage of the vinyl format. Released initially with peel-off stickers, I’ve no doubt this cover is a bit of a novelty but it simply isn’t good.

Imagine getting a first pressing home to only find that peeling the stickers resulted in more geometric shapes. What a tease!

The Rolling Stones – Goats Head Soup

Is it Jagger in the womb? Or does he have pointy ears on top of his head? It’s unique, I’ll give it that.

Still, when you look at the artwork it’s a little disturbing, isn’t it?

That said, it’s better than Dirty Work; an album that didn’t make the list but is one of The Stones’ worst album covers.

Rod Stewart – An Old Raincoat Won’t Ever Let You Down

Rod, what were you thinking?

Okay, so it was his debut release but a cover such as this had the potential to bury a career the moment it was released.

It simply doesn’t work on any level and really showcases just how banal artwork was in the era; especially for new artists.

Rose Tattoo – Assault & Battery

Come on guys, let’s hug it out!

When you think of Rose Tattoo, and the hard rock genre in general, you really aren’t thinking about embracing anyone, for you want to get loose as you rock out. Of course, this wasn’t an isolated incident as they’d hug it out again on Scarred for Life.

Shakira – Oral Fixation, Vol. 2

It’s funnier than it is disturbing or simply bad. Seriously, we all know that the baby doesn’t want the Apple but the implication and how it relates to biblical aspects is where humour can be derived from it.

Of course, I’m certain that some people will find it disturbing but sometimes you have to see the funny side of things.

Slash – World On Fire

What a mishmash!

Slash’s album artwork keeps getting worse. It’s as if he’s lost his mojo. While not as boring as Living The Dream or 4, it’s simply bad and uninspiring.

Disappointingly, the music isn’t much better on this particular release.

Soft Cell – The Art of Falling Apart

Visually, splitting faces, amongst a smorgasbord of trash, makes this album cover one of the most hideous on this list. That said, Soft Cell’s The Art Of Falling Apart is musically enjoyable, but this is one album that you really wouldn't want to pick up on vinyl for the larger canvas would only worsen things.

I will concede, however, that the artwork represents the thematic elements of the album and its title. It's just that it's horrid to look at and in this instance, I'm grateful that we listen with our ears and not our eyes.

Spiderbait – Grand Slam

I swear some artists are popular because of their album covers and, in this case, Spiderbait has instantly recognisable artwork. Although, it doesn’t mean it’s great.

Arguably, Shashavaglava is worse but it isn’t in my music library, hence it’s not on this list. Either way, Spiderbait’s artwork is just weird!

Three Dog Night – Hard Labor

If there is a case to be made for album artwork that simply doesn’t associate itself well with the music contained within the record, it is Three Dog Night’s 1974 release, Hard Labor.

Granted, artwork such as this, particularly on the larger vinyl format, would have stood out from the crowd in your local record store, but many people would be instantly turned off by the artwork. It’s a shame considering it’s a solid B-grade 70s-era release featuring some lovely music that would appeal to fans of not only Three Dog Night but similar artists such as the Eagles and America.

It may represent the birth of a record, something that should appeal to all music fans, but it’s in poor taste and is questionable at best.

Timothy B. Schmit – Playing’ It Cool

I’m not afraid to admit that I have a man-crush for Timothy B. Schmit, but this album artwork turns me cold.

Seriously, it’s so bad that you can see Schmit questioning his life choices as the photograph is being taken.

Tom Jones - Praise And Blame

While the music is extraordinarily good, the artwork is absolutely horrid. I get it, it shows a place of worship that links into the overall themes of the album, but the chosen design elements and the photograph itself, aren’t exactly compelling. Seriously, if you saw that on display at your local record store, you’d give it a miss, wouldn’t you?

In my mind, all Tom Jones albums should feature Jones on the cover and while Jones may have wanted the songs to speak for themselves, I feel the artwork on this particular album takes away from the incredible musical experience you’ll have when listening to the record.

Toni Basil – Mickey: The Very Best of Toni Basil

Forever known for the teen-pop hit, Mickey, Toni Basil never stood a chance when it comes to being accepted as a serious musician and this artwork certainly does her no favour in that regard.

Young Fathers – Cocoa Sugar

It’s striking and once you see it you can’t unsee it, but if we’re being honest, it isn’t very good and is a little disturbing.

Yes, it’s creative but this is one piece of album artwork that is not going to age well; at least the music will!

I'm curious—which album covers do you find the most disturbing? Share in the comments!

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The Best Albums Of 1975

June 15, 2024

The Best Albums, From All Genres, Of 1975

The music industry in 1975 was thriving, fuelled by the creativity of artists and the growing appetite for new sounds. Record labels were far more eager to sign diverse acts that reflected the eclectic tastes of the music-loving public at the time. The concert scene was also vibrant, with stadium tours becoming more common, allowing fans to experience their favourite artists live and on an unprecedented scale as music festivals continued to gain popularity, further establishing live performances as a crucial component of the music experience.

While the music industry was buzzing with creativity and innovation, Vinyl records remained the primary medium through which music was consumed as their warm analog sound provided a tangible connection to the artists and their work. Radio continued to deliver music via the airwaves to listeners around the world and the increasing popularity of the Compact Cassette began to offer new, and more flexible, ways for audiences to engage with the music they held dear and near.

Popular Sounds of 1975

1975 was a year marked by a rich diversity of musical genres, each carving its unique niche in the cultural zeitgeist. Rock music continued to dominate, with sub-genres like hard rock, glam rock, and progressive rock capturing the imaginations of listeners. Disco was on the rise, bringing its infectious rhythms and dance-floor anthems to the forefront of popular culture while folk and country influences also remained strong, reflecting the era's penchant for storytelling and emotional expression through music.

Rock Legends, Innovative Albums, And New Horizons

Queen’s A Night At The Opera, released on November 21, 1975, stood out as a monumental album, blending rock, opera, and progressive elements into a cohesive and groundbreaking work while Elton John’s autobiographical Captain Fantastic And The Brown Dirt Cowboy (May 19, 1975) provided an introspective look into his life and career, showcasing his ability to weave personal narrative with complex musical arrangements.

The Bee Gees reinvented themselves with Main Course (June 1975), marking their foray into disco and showcasing their versatility and adaptability while ABBA's self-titled album (April 21, 1975) further cemented their status as pop royalty with infectious melodies and a polished production, demonstrating their knack for creating timeless pop anthems.

Nazareth's Hair Of The Dog (April 3, 1975) presented a gritty, hard rock sound that would influence countless bands to come and Moxy’s self-titled debut (n.d.) introduced fresh, hard rock energy to the 70s.

The Eagles continued their ascent with One Of These Nights (June 10, 1975), combining rock with country influences to create timeless hits while America's Hearts (March 19, 1975) continued the band's tradition of harmonious folk-rock, delivering smooth, melodious tracks that resonated with a broad audience.

Fleetwood Mac’s self-titled album (July 11, 1975) introduced the world to the classic lineup that would soon become legendary while Linda Ronstadt’s Prisoner In Disguise (September 15, 1975) showcased her vocal prowess and versatility across genres, further solidifying her status as a major force in rock and country music.

Alice Cooper’s theatrical concept album, Welcome To My Nightmare (March 11, 1975), pushed the boundaries of rock performance with its elaborate and dark themes while Neil Young & Crazy Horse delivered raw, unfiltered rock with Zuma (November 10, 1975).

Eloy's Power And The Passion (October 1975) ventured into the realm of progressive rock with the concept album format, presenting intricate compositions and thematic depth while Journey's self-titled debut (April 1, 1975) marked the beginning of their path toward becoming rock giants, blending progressive rock with jazz fusion.

Finally, Art Garfunkel’s Breakaway (October 14, 1975) showcased his delicate vocal delivery in a collection of beautifully crafted songs, including thoughtful covers that highlighted his emotive delivery.

In this dynamic landscape, 1975 emerged as a year of innovation and enduring musical contributions. The albums released during this period have left an indelible mark on the industry and have influenced generations of musicians while continuing to captivate listeners.

This list is ranked from best to almost the best, but not quite. However, depending on your subjective preferences, you may prefer a different order, omit some, or even ponder some that are not included. Trust me, I’ve changed the order countless times because determining the best albums often depends on how one feels at any given moment. Either way, let’s simply enjoy the best music that 1975 has to offer.

1. QUEEN – A NIGHT AT THE OPERA

Queen's fourth studio album, A Night At The Opera, is a masterpiece that solidified the band's place in rock history. With Freddie Mercury's flamboyant vocals soaring above intricate instrumental arrangements, it stands as one of the most coherent and ambitious works by these British rockers. The album's theatricality and eclectic style, ranging from hard rock anthems to operatic ballads, showcase Queen's unparalleled versatility and creativity. This release isn't just one of the greatest albums of 1975 or the 70s; it is one of the greatest albums of all time!

Check out the full review for a more detailed overview of Queen’s A Night At The Opera.

2. Bee Gees – Main Course

Main Course is a landmark release that captured the Bee Gees during one of their most creative periods. With its irresistible grooves, magnificent vocals, and captivating lyrics, this album remains a classic and a testament to the enduring legacy of one of the world's most iconic groups. Main Course was also the album that saw the Bee Gees' successfully transition to a more disco-oriented sound, featuring hits like Jive Talkin' and Nights on Broadway, which not only defined their new direction but also left an indelible mark on the music landscape of the late 70s.

Check out the full review for a more detailed overview of the Bee Gees’ Main Course.

3. NAZARETH – HAIR OF THE DOG

Hair Of The Dog’s combination of hard-hitting rockers and heartfelt ballads makes it a timeless classic that continues to resonate with audiences decades after its release. Featuring Nazareth’s signature gritty sound and powerful vocals, this is one album that is more than a standout in their discography for it has become a cornerstone of 70s rock music.

Check out the full review for a more detailed overview of Nazareth’s Hair Of The Dog.

4. Eagles – One Of These Nights

One Of These Nights, the fourth studio album from the Eagles, is their greatest achievement in the era prior to Hotel California’s release. It would also become the Eagles’ first number-one record, and without a B-side to be found and featuring hits like Lyin’ Eyes and Take It To The Limit, it’s best described as a masterpiece.

Check out the full review for a more detailed overview of the Eagles’ One Of These Nights.

5. Elton John – Captain Fantastic And The Brown Dirt Cowboy

As a complete body of work, Elton John and Bernie Taupin masterfully crafted a sonic journey that spans the highs and lows of their careers and personal lives. Each track contributes to the album's overarching narrative, showcasing the duo's ability to seamlessly blend rock, pop, and introspective ballads. With Captain Fantastic And The Brown Dirt Cowboy, they don't just tell a story—they invite listeners into an immersive, deeply personal experience that stands as a testament to their unparalleled creative partnership.

Check out the full review for a more detailed overview of Elton John’s Captain Fantastic And The Brown Dirt Cowboy.

6. FLEETWOOD MAC – FLEETWOOD MAC (SELF-TITLED, 1975)

With a blend of catchy hooks, heartfelt lyrics, and masterful musicianship, Fleetwood Mac stands as one of the greatest albums ever released. This landmark record not only rejuvenated the band's career but also introduced the iconic lineup that included Lindsey Buckingham and Stevie Nicks. Together, they crafted some of the most enduring music of the 20th century, cementing Fleetwood Mac's legacy as one of the most influential bands in rock history.

Check out the full review for a more detailed overview of Fleetwood Mac’s self-titled 1975 release.

7. Alice Cooper – Welcome To My Nightmare

Welcome To My Nightmare is not only one of Alice Cooper’s best albums, but it’s one of the greatest records, concept or otherwise, from the 70s; particularly 1975. It really is a triumph of creativity and innovation that pushed the boundaries of the concept album to the very limits of what such a release could achieve. After more than four decades, it remains a timeless classic that continues to captivate and inspire music lovers and Alice Cooper fans alike.

Check out the full review for a more detailed overview of Alice Cooper’s Welcome To My Nightmare.

8. Eloy – Power And The Passion

Eloy’s Power And The Passion, their fourth studio album, is a masterpiece of progressive symphony rock that has to be heard firsthand to be fully appreciated. Its complex compositions and thematic depth are to be marvelled at; even if the drug-fueled time traveller's encounter with a wizard isn’t the most easy-to-follow narrative. Nevertheless, this record is a standout in the band's discography with epic compositions ensuring the album remains a classic of the genre as well as a testament to Eloy's enduring creativity and innovation.

Check out the full review for a more detailed overview of Eloy’s Power And The Passion.

9. MOXY – MOXY (SELF-TITLED)

Moxy’s self-titled debut is a classic recording, offering a raw and energetic display of classic hard rock elements. It’s one of those albums that is best heard in its intended linear structure for as powerful as the individual songs are, the musicianship, throughout, is top-notch, thereby creating a tight, cohesive sound that propels the album forward with relentless energy. There certainly isn’t a bad song to be heard on Moxy, nor is there a B-side. Perhaps it is the concise (sub-40 minute) runtime of the album, but if you put the time aside to appreciate this record, from start to finish, you won’t be disappointed.

Check out the full review for a more detailed overview of Moxy’s self-titled release.

10. Art Garfunkel – Breakaway

Breakaway, Art Garfunkel’s second solo release, is a stunning showcase of his remarkable vocal prowess, emotive storytelling, and timeless appeal. While fans might have yearned for a Simon & Garfunkel reunion, Breakaway offers the next best thing with the duet "My Little Town." Beyond this nostalgic collaboration, the album stands on its own as a classic record, filled with beautifully crafted songs that highlight Garfunkel's unique talent and artistry. Breakaway is a blessing to listeners, solidifying Garfunkel's place as a solo artist of extraordinary depth and charm.

Check out the full review for a more detailed overview of Art Garfunkel’s Breakaway.

11. America – Hearts

Hearts is a masterpiece of 1970s soft rock, showcasing America during their most prominent years. While it’s another stellar collaboration with producer George Martin, Hearts stands out for its seamless blend of acoustic guitar-driven compositions, lush harmonies, and subtle instrumental arrangements. The result is an album that, like the rest of their 70s catalogue, delivers easy-listening soft rock folk music with a universal appeal.

Check out the full review for a more detailed overview of America’s Hearts.

12. ABBA – ABBA (Self-Titled)

ABBA's self-titled album is a minor masterpiece that showcases the band's unparalleled talent and musical innovation. This release highlights their exceptional skills in both production quality and songwriting, resulting in infectious melodies, heartfelt lyrics, and dynamic performances. Each track demonstrates ABBA's ability to create timeless music, making this album an essential addition to any music lover's collection.

Check out the full review for a more detailed overview of ABBA’s self-titled release.

13. Neil Young & Crazy Horse – Zuma

Zuma is a monumental achievement in Neil Young's prolific career, highlighting his raw musical prowess alongside his legendary backing band, Crazy Horse. This album is a sonic journey that encapsulates the essence of Young's distinctive songwriting and the electrifying synergy of Crazy Horse. Zuma is, ultimately, one of the era's greatest releases, showcasing an unparalleled blend of folk, rock, and grunge into a cohesive and captivating sonic tapestry. Young and Crazy Horse's ability to seamlessly merge these elements results in a timeless masterpiece that continues to resonate with audiences and solidify their legendary status in rock history.

Check out the full review for a more detailed overview of Neil Young & Crazy Horse’s Zuma.

14. JOURNEY – JOURNEY (SELF-TITLED)

Journey’s eponymous debut marked the beginning of a musical odyssey that would significantly shape the sound of arena rock in the late 70s and 80s. However, this album stands apart from their later works due to its distinctive fusion of jazz and progressive rock, creating a compelling and unique sound. The intricate musicianship and experimental approach on this record set it apart, showcasing the band's early versatility and willingness to push musical boundaries. This blend of genres not only highlights the technical prowess of the band members but also provides a refreshing contrast to the more commercially oriented rock that would later define their career. Journey's debut is a testament to their innovative spirit and serves as a fascinating glimpse into the formative years of a band that would go on to achieve substantial success.

Check out the full review for a more detailed overview of Journey’s self-titled release.

15. LINDA RONSTADT – PRISONER IN DISGUISE

Throughout Prisoner In Disguise, Linda Ronstadt effortlessly transitions between musical styles, seamlessly blending elements of rock, folk, and country into a cohesive and compelling sound. Her dynamic vocal range shines brilliantly, whether she's belting out rock anthems or delivering heartfelt ballads, captivating listeners with each note. The album's enchanting melodies, soul-stirring lyrics, and impeccable performances create an enduring appeal that continues to captivate audiences decades after its release. Prisoner In Disguise not only showcases Ronstadt's versatility and emotional depth but also solidifies her status as one of the greatest vocalists of her generation.

Check out the full review for a more detailed overview of Linda Ronstadt’s Prisoner In Disguise.

Honourable Mentions (In Alphabetical Order)

These are albums from 1975 that I appreciate but don’t feel are the best of the best. However, there’s some killer music to be heard here, so load up your favourite streaming service and give them a listen, for our music tastes are subjective and you may just come across an album that you consider a masterpiece.

Barry White – Just Another Way To Say I Love You

Captain & Tennille – Love Will Keep Us Together

Chris de Burgh – Spanish Train And Other Stories

Count Basie & Oscar Peterson – Satch and Josh

Curtis Mayfield – There's No Place Like America Today

Dolly Parton – Dolly: The Seeker - We Used To

Juice Newton – Juice Newton & Silver Spur

KC and the Sunshine Band - KC and the Sunshine Band (Self Titled)

Mahavishnu Orchestra – Visions of the Emerald Beyond

Montrose – Warner Bros. Presents Montrose!

Olivia Newton-John – Have You Never Been Mellow

The Band – Northern Lights-Southern Cross

I'm curious—what are your favourite albums from 1975? Share in the comments!

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Aerosmith: Albums Ranked (From Worst To Best)

June 5, 2024

Aerosmith, often hailed as America's Greatest Rock and Roll Band, stands as a monumental force that has helped to shape the music industry over the past five decades. Formed in 1970, this quintet hailing from Boston, Massachusetts, has captivated audiences worldwide for over five decades with their signature gritty blend of blues-infused rock.

Comprised of Steven Tyler (vocals), Joe Perry (guitar), Tom Hamilton (bass), Brad Whitford (guitar), and Joey Kramer (drums), Aerosmith's early years were marked by relentless touring and a string of successful albums that solidified their legendary status. Their success can also be attributed to their unique style, characterised by Tyler's distinctive vocals and Perry's gritty guitar riffs. That isn’t to suggest that all members of the band didn’t play a role in their success, they most certainly did, but had it not been for the toxic twins, I think we can all admit that Aerosmith would have been a very different band than the one we know and love.

Aerosmith's enduring influence stems not only from their musical prowess but also from their ability to navigate the ever-evolving landscape of rock music. From their origins to the present day, Aerosmith has left a memorable mark, producing chart-topping hits, pushing artistic boundaries, and weathering the storms of internal strife and industry changes.

The 70s marked the rise of Aerosmith as a powerhouse in the rock music scene. Their early success was fuelled by a series of hit singles, including Dream On, Sweet Emotion, and Walk This Way, that resonated with a rapidly growing fan base. However, despite their growing fame, the latter part of the decade brought significant challenges, including substance abuse issues that began to strain their creativity and interpersonal relationships. Still, Aerosmith’s 70s output firmly established them as one of the defining rock bands of the era, setting the stage for not only their future triumphs but also their tribulations.

As the 80s dawned, Aerosmith faced numerous challenges, including growing internal strife and substance abuse problems that threatened to derail their career. Despite these setbacks, the band's resilience saw them undergo a remarkable resurgence, particularly later in the decade. Teaming up with producer Bruce Fairbairn saw them embrace a more polished, radio-friendly sound without sacrificing their rock roots. This era brought about some of their most iconic hits, including Dude (Looks Like A Lady), Janie’s Got A Gun, and Love In An Elevator, and would introduce Aerosmith to a new generation of fans.

The 90s saw Aerosmith experimenting with various styles, from hard rock and heavy metal to an increasing focus on ballads with their most notable songs being Living On The Edge, Cryin’, and I Don’t Want To Miss A Thing. This willingness to innovate kept them relevant in an ever-changing musical landscape and with each subsequent album Aerosmith demonstrated an uncanny ability to reinvent themselves while staying true to the essence that made them legends.

Post-90s, Aerosmith continued to experiment with diverse musical styles. While opinions will naturally differ, this period is marked by a significantly reduced output and to many it can be seen as an era of the band’s decline. Yes, Honkin’ On Bobo saw them, once again, expand their creative horizons with an album of blues covers, but that could be seen as the band playing it safe following the solid, but lacklustre, Just Push Play; an album that could be said to have been too far removed from the core sonic signature that makes Aerosmith, Aerosmith.

What is likely to be their final studio album, Music From Another Dimension!, is one of their strongest releases, despite it also being one of their least successful. Of course, success at the sales register rarely correlates with creativity or the quality of output, but if you haven’t checked out this 2012 release, there’s no better time than now to give it a listen.

Beyond their studio albums, Aerosmith's impact extends to their legendary live performances and ability to connect with audiences across generations. With a career characterised by resilience, creative innovation, and an unyielding commitment to their craft, Aerosmith remains an immortal fixture in the history of rock music, leaving a legacy that is unlikely to be challenged; certainly not within our lifetimes.

15. Rock In A Hard Place (1982)

Released during a tumultuous period for the band, this album is marked by the absence of Joe Perry and Brad Whitford; an absence that most certainly influenced the record’s sound. While it has moments of artistic brilliance, such as the soulful Lightning Strikes and the blues-infused Bolivian Ragamuffin, it's one of Aerosmith's weakest efforts as the band tried to redefine themselves without their longtime guitarists.

Check out the full album on Apple Music.

14. Done with Mirrors (1985)

Done With Mirrors marked the return of guitarists Joe Perry and Brad Whitford after a period of estrangement. While the reunion of the band’s original lineup brought about anticipation and excitement amongst fans, it didn’t quite fuse into the legendary album experience that many would have hoped for. Despite not achieving widespread commercial success, the album would lay the foundation for Aerosmith's subsequent resurgence and chart-topping triumphs in the late 80s and 90s.

Check out the full album on Apple Music.

13. Just Push Play (2001)

Released amidst a landscape of evolving musical tastes, genres, and a new millennium to conquer, Just Push Play marked a departure from some of the bluesy rock roots that had defined their earlier works. Embracing a more polished sound with a strong focus on pop and electronic influences, Aerosmith sought to stay relevant in a changing musical landscape; yet the entire album has always sounded a little overproduced. Yes, it has its moments, such as the infectious and upbeat Beyond Beautiful, and the radio-friendly hook-focused Jaded, but it isn’t quite enough to push the album higher up the list.

Check out the full album on Apple Music.

12. Honkin' On Bobo (2004)

Honkin' On Bobo represents a unique chapter in Aerosmith's discography. Relying heavily on traditional blues, Honkin' On Bobo is somewhat different and won’t appeal to all Aerosmith fans. That said, this record saw the band return to a more stripped-down sound, once again embracing their roots while paying homage to the blues legends who inspired them. While it could be questioned if this is an official album, given that the only original tune to be heard on the record is The Grind, it is considered by Aerosmith to be a core discography release, hence its placement within this list.

Check out the full album on Apple Music.

11. Draw The Line (1977)

Recorded during a tumultuous period for the band, Draw The Line was a product of Aerosmith’s internal struggles and rampant substance abuse, leading to a certain rawness and unpredictability in its sound. Despite that, the band's gritty determination remains and Draw The Line subsequently features a blend of hard-hitting rockers and experimental tracks. It is yet another example of Aerosmith's willingness to explore beyond their established boundaries and Draw The Line is, as a result, one of their most underrated studio releases.

Check out the full album on Apple Music.

10. Nine Lives (1997)

Nine Lives represents a triumphant return to form for the band in the late 90s as it showcases a reinvigorated Aerosmith, blending their signature hard rock sound with a modern edge. Following the success of their previous albums, Permanent Vacation, Pump, and Get A Grip, the band faced the challenge of living up to high expectations, but Nine Lives delivered with a mix of gritty rock anthems, melodic ballads, and experimental tracks along with one of the greatest pieces of cover artwork to adorn an Aerosmith release.

Check out the full album on Apple Music.

9. Night In The Ruts (1979)

Night In The Ruts, a play on words as Aerosmith would have preferred the album to be titled Right In The Nuts, has a raw and unpolished feel. This gritty charm will likely appeal to fans, especially of their 70s output, as it has Aerosmith’s authenticity and tenacity embedded throughout.

Check out the full album on Apple Music.

8. Aerosmith (Self-Titled) [1973]

Aerosmith’s eponymous debut is, in retrospect, somewhat of an anomaly as it is arguably more unique than any other album in their illustrious career. This is primarily due to Steven Tyler's faux blues vocal style. Yet, there’s a compelling aspect to his vocal presentation that not only makes this self-titled release compelling, but thoroughly enjoyable to listen to. Regardless of whether or not you loathe or love this release, it adequately captures Aerosmith in their formative years, embodying the spirit of 1970s rock, while also foreshadowing the greatness that was to follow.

Check out the full review for a more detailed overview of Aerosmith’s self-titled debut.

7. Permanent Vacation (1987)

A permanent vacation sounds like a great idea but even Aerosmith had to return and this release marks their second coming. While some may lament the more commercial sound, the album successfully blends their styles with hits like Dude (Looks Like a Lady), Rag Doll, and Angel. Permanent Vacation is, subsequently, a difficult album to ignore.

Check out the full album on Apple Music.

6. Get A Grip (1993)

Get A Grip is a polished, radio-friendly album that produced massive hits like Cryin', Crazy, and Livin' on the Edge. While some fans may miss the classic Aerosmith vibe, Get A Grip does encompass the band’s legacy while ensuring that this release is most certainly ensconced in the 90s zeitgeist. Where Aerosmith’s 70s releases stand out to those who first experienced the band, Get A Grip is a landmark release for newer generations and can already be considered a rock masterpiece.

Check out the full review for a more detailed overview of Aerosmith’s Get A Grip.

5. Get Your Wings (1974)

Get Your Wings, Aerosmith’s second studio album, marked a significant step forward from their self-titled debut as it established the band’s signature sound, blending blues rock with hard rock in a way that set them apart from their contemporaries. It was also the album in which Steven Tyler returned to his natural vocal style and Jack Douglas would begin producing the band. Both were pivotal to Aerosmith’s long-term success, but as it pertains to the music featured on Get Your Wings all that needs to be said is that it’s exceptional and has stood the test of time.

Check out the full review for a more detailed overview of Aerosmith’s Get Your Wings.

4. Toys In The Attic (1975)

Featuring classics like Sweet Emotion and Walk This Way, Toys In The Attic could be best described as the most quintessential Aerosmith album; certainly as it applies to the 70s-era recordings. Its blend of hard rock and memorable melodies solidifies it as one of their greatest releases, showcasing the band’s musical brilliance.

Check out the full album on Apple Music.

3. Rocks (1976)

Rocks not only built upon the creative success of Toys In The Attic, but with powerful tracks like Back In The Saddle and Last Child, it showcases Aerosmith’s ability to deliver unrelenting rock and roll. Blues meets hard rock at its very best is one way to put it and Rocks is deserving of being labelled as one of the band’s most noteworthy releases.

Check out the full review for a more detailed overview of Aerosmith’s Rocks.

2. Music From Another Dimension! (2012)

Music From Another Dimension! may end up being the final studio album from the Boston rockers, but what an album to go out on. Combining cues of classic Aerosmith with modern production qualities was always going to be controversial, but when the only truly negative aspect is the album’s runtime, you’re left with a killer album to close a storied career on.

Check out the full album on Apple Music.

1. Pump (1989)

Pump is a hard-hitting cohesive album that is not only one of Aerosmith’s greatest releases but is amongst the very best albums within hard rock and glam metal history. Representing their late 80s peak, Pump’s blend of hard rock, blues, and ballads, combined with a polished production and memorable songwriting, make it a highlight in Aerosmith's discography and worthy of being considered their best album.

Check out the full review for a more detailed overview of Aerosmith’s Pump.

No matter which order you rank Aerosmith’s albums in, one thing is for certain and that is Aerosmith’s discography is a testament to their resilience, adaptability, and timeless appeal. From their groundbreaking hard rock anthems and ballads, to bold experimentation, each album weaves a unique thread into the rich tapestry of their storied legacy, thereby cementing their place as one of rock's most iconic and enduring bands.

I'm curious—how would you rank Aerosmith's albums? Share in the comments!

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