Kenny Rogers' Life Is Like A Song is a testament to the timeless charm and enduring talent of one of country music's most beloved artists. Released in 2023, this album showcases Rogers' rich and distinctive voice, heartfelt storytelling, and ability to touch listeners' hearts with his emotive delivery.
Given this emotional presentation, one can’t help but reflect on Rogers’ life. As such, posthumous albums are usually amongst my least favourite records as there’s sadness amongst appreciation and admiration. Naturally, the question of how soon is too soon comes up and in the case of Rogers, it has been a few years since the world lost this incredible musician. The time is therefore appropriate but one must also question the motives of such a release. Sadly, the music industry and artist estates have a bad habit of going through the archives and releasing any and everything they can get their hands on, all the while repacking it several times to take advantage of the most dedicated fans.
Thankfully, Life Is Like A Song doesn’t feel like a release done purely for financial gain. It’s so incredible that it is as if Rogers himself signed off on this release. If anything, it pays tribute to both the man and the musician, in the best way possible; by the sharing of a new selection of music that had been, until this album, previously unreleased. Yes, there are a couple of songs that were previously issued, but Life Is Like A Song is primarily an album of new studio recordings.
What makes Life Is Like A Song so compelling is the impeccable song selection and sequencing. I shouldn’t be surprised, however, as Rogers’ wife Wanda served as one of the Executive Producers, thereby, ensuring her husband, of over two decades, was beautifully remembered. The only bump in the road is attributed to the final bonus song on the Deluxe Edition; At Last. It’s a lovely song, but it doesn’t flow well and is a poor closing track, on this particular edition. That said, The core 10-track release closes masterfully on Goodbye. Although, the first bonus track, Say Hello To Heaven, on the Deluxe Edition is also an incredible closing moment. Regardless, vinyl enthusiasts will likely be content with the 10-track album structure; particularly with that incredible album artwork.
Delving even deeper into this release, you’ll find the mix and mastering to be superb. While I’ve only, thus far, experienced the album via Apple Music, the lossless stereo stream, an Apple Digital Master, is mind-blowing. When a digital stream sounds this impressive, it makes one wonder if they need to attain the physical counterpart; other than for the thrill of ownership and the retention of a physical product. As it pertains to the Dolby Atmos stream, also on Apple Music, the soundstage is expansive but the result sounds a little hollow when compared directly to the stereo mix. I put this down to the likelihood that these songs were never recorded with surround sound in mind and as is often the case, simulated surround lacks the true nuances that one would experience with a production that was intended to offer a discrete mix from the get-go. Subsequently, I much prefer the stereo mix as it simply sounds right.
Love Is A Drug sets the tone for the journey ahead and is a perfect country-styled tune that blends seamlessly with Rogers’ legacy. His vocal prowess and the soaring melodies are expertly crafted meaning that Love Is A Drug is a standout tune.
I Wish It Would Rain is a stunning mid-tempo ballad that showcases Rogers' storytelling capabilities.
Am I Too Late (with Kim Keyes) is a vocal masterpiece that brings Rogers and Keyes into the room with you. The musicality is subtle, but for a song like this, that is all that’s required for the harmonious intertwining vocals will leave you in awe.
Tell Me That You Love Me (with Dolly Parton) is a fantastic toe-tapper and one of the greatest songs on the record. Parton is once again a perfect collaborator and while Rogers’ recordings with other female vocalists should not be overlooked, Rogers and Parton had a vocal chemistry that transcends the humble duet.
Straight Into Love (with Jamie O’Neal) is, however, even more impressive than Tell Me That You Love Me with its instantly captivating melodic hooks. Granted, the shift in tempo plays a role here but Straight Into Love is simply magnificent nonetheless and O’Neal’s inclusion here is one to be held in high regard for her vocal capabilities are simply stunning.
Wonderful Tonight is, as I’ve suggested before, one of the most magnificent ballads ever recorded. While it is Eric Clapton’s song first and foremost, and many exceptional interpretations of this classic song have been recorded, this Kenny Rogers recording is one of the greatest as it pays homage to the original, not drifting too far from the song’s origins, while simultaneously sounding fresh and becoming an essential tune in Rogers’ extensive catalogue of music.
Catchin' Grasshoppers is a musical marvel with a beautiful opening that leads into Rogers’ vocal that soars above the musical bed with emotional depth and passion.
That's Love To Me is a beautiful ballad combining Rogers' signature country sound with a touch of pop and easy listening. The infectious melodies and sing-along chorus make it an instant earworm but it is Rogers' charismatic delivery that will resonate with listeners.
I Will Wait For You has a cinematic and relaxed feel to it. While it isn’t a standout tune, it’s lovely nonetheless.
Goodbye pulls at the heartstrings, naturally, but what a gorgeous song to close the core album on. Rogers has never sounded so good and performs the Lionel Richie classic masterfully. His gravelly vocal presentation on Goodbye is simply magnificent. The control he has over his range, on this particular song, is incredible and it wouldn’t be far-fetched to suggest that it’s one of his most powerful performances.
Say Hello To Heaven (Bonus Track) is touching, emotional, and moving. It’s a difficult song to listen to, however, for you feel the anguish of the song’s meaning. Despite being a masterpiece, I’d be lying if I said that it isn’t an emotional rollercoaster ride of a song. One that deserves to be listened to, certainly, but one that you simultaneously wish you hadn’t heard.
At Last (Bonus Track), as I alluded to earlier, simply isn’t the strongest song to close the album with. That doesn’t mean that Rogers’ rendition of this classic tune is flawed, for it isn’t, it’s just a little too upbeat following Goodbye and Say Hello To Heaven. Nevertheless, this won’t prevent me from spinning the album again for it’s an instant classic and is one of the best records released in 2023.
While Life Is Like A Song undoubtedly stands as a testament to Rogers' remarkable career, it also serves as an important reminder of his profound musical legacy. Rogers' ability to tell stories through his songs and evoke genuine emotions is showcased at its finest on this album and if there is a greater gift to Rogers’ fans, following his death, I know of none.