Released in 1976, Hideaway is the sixth studio album by the American rock band America. While the music on this album would showcase further evolution within the band’s production style and songwriting, this evolving nature isn’t to the band’s detriment for on this release they took their acoustic-driven folk-rock style even further by adding higher production values and a fuller musical presentation. The result is one of the greatest rock albums of the 70s and one of the best releases in America’s illustrious career.

While the album artwork is mundane, it’s effective and is a perfect visual counterpart to the musical style of the album. Granted, the music surpasses the album cover in terms of quality, for there isn’t a dull song to be heard on the album, and while each fan will have their own preferred favourite America release, Hideaway is certainly mine; followed by Hat Trick and their self-titled debut, America

Speaking of the music contained within this classic release, Hideaway demonstrates America's ability to seamlessly blend different musical styles while staying rooted in their signature folk-rock sound. Incorporating elements of pop, soft rock, and a touch of country, Hideaway is one of those pleasurable listens that has a smooth well-balanced mix that allows each instrument and vocal harmony to shine. 

While America’s legacy is legendary, when you have a producer of the calibre of George Martin producing Hideaway, one of five studio albums that he would produce for the band, there’s little wonder as to why Hideaway is so exceptionally pleasing. For those really interested in geeking out, Geoff Emerick was also the engineer for this recording. With two of the core Beatles’ production team behind the scenes, there’s little doubt as to why Hideaway is such a compelling release. Of course, America had to have musical skill in the first place and the songwriting throughout delivers a strong set of compositions that are introspective and often contemplative, exploring themes of love, longing, and self-discovery. Overall, the songwriting maintains a poetic quality, complemented by the band's trademark harmonies, and this, along with the quality of production further validates the importance of every aspect in the creation of a timeless record.

As it pertains to the sonic presentation of the album, the Apple Music stream is exquisite. It may not be an Apple Digital Master, but Warner Music has ensured that the streaming counterpart is a lovely facsimile. Some may naturally prefer a physical copy and while they are readily available on the secondhand market, it’s good to know that Music On Vinyl reissued the album in 2022. While I have no experience with that particular release, I have found Music On Vinyl to be a respectable reissue label. 

Decades ago, I was fortunate to have owned the 1997 Australian reissue CD, under the EMI Legendary Masters reissue series, but it has been so long since I owned that edition that it's impossible for me to even comment on how it compares to the stream I now thoroughly enjoy. What I will say, however, is that if I only had the lossless Apple Music stream of Hideaway, I would be in seventh heaven and wouldn’t feel like I’m missing a thing; it’s that enjoyable!

Lovely Night opens the album with an upbeat and catchy tune that sets the tone for the musical journey ahead. The harmonies are tight, and the melody is infectious, but it’s the entire sonic presentation that ensures Lovely Night will remain with you long after the song and album have concluded as it’s earworm-inducing; the positive kind, of course!

Amber Cascades features a lush atmospheric arrangement that makes for a captivating listening experience that is one of the album's highlights.

Don't Let It Get You Down has a more upbeat tempo, combining electric guitars and keyboards, thereby showcasing America's diverse musical palette. The lyrics convey a message of resilience and encouragement, and the dynamic arrangement adds a sense of urgency to the track that is also the perfect pick-me-up for those moments in life when we feel a little down.

Can't You See is a beautiful acoustic-focused ballad with magnificent harmonies that will immediately touch your soul. It is the definition of a textbook perfect tune and is, arguably, not only one of the best songs America ever recorded, but it’s one of the greatest ballads of all time. It is somewhat disappointing that this tune was not released as a single for it had the potential to be a chart-topper. My only complaint, however, is that it is too short. Of course, if it had been longer, it may not be as appealing. Let’s just say that it’s purposefully minimal and appreciate it within that context.  

Watership Down is a beautifully mellow track with a contemplative atmosphere that adds a sereneness to the album. 

She's Beside You returns the album to a more upbeat vibe, but that classic almost doo-wop introduction is a little distracting as it limits the fluidity of the album’s sequencing. That said, the catchy chorus and infectious rhythm make it a memorable addition to the album.

Hideaway, Pt. I serves as the first part of a two-part instrumental interlude and is not only thoroughly enjoyable but is ideally positioned within the album’s structure; particularly as it’s the closing song on the first side of the vinyl record.

She's A Liar is a killer rock tune with the electric guitar taking centre stage on this bluesy number. It may be a run-of-the-mill rock number by many standards, but the mix and subsequent layering ensure that She’s A Liar is one of the best songs from Hideaway.

Letter is bass guitar heaven. That introduction is spectacular and as the song builds so does my appreciation for it as the stripped-down nature perfectly suits America’s styling. 

Today's The Day is a beautiful tune that rocketed to the top of the charts upon its release as a single. Despite being successful at the time, there are other songs from Hideaway that I feel would have been stronger singles had they been released. Of course, that is me looking at the music via a modern lens and if I reflect on the era, then Today’s The Day was a ideal single release. That said, this is a perfect example as to why this album is so revered here at Subjective Sounds, for it isn’t just the songs on their own that make an album experience, but the album’s sequencing that ensures the record is a standout release. 

Jet Boy Blue kicks things up a notch with twangy guitars and a driving rhythm. It’s nothing short of fantastic and is another favourite as it is not only perfectly suited to America but the variation in musical styles adds depth to the overall album experience. 

Who Loves You emphasises the band's vocal harmonies on this soulful and mellow track. It is, truly, one of their most beautiful compositions and if I wanted to introduce America to someone who had never heard them before, this is one of the tracks that I would share for it’s thoroughly pleasing.  

Hideaway, Pt. II serves as an instrumental closer and while I appreciate the intent, I would suggest that Who Loves You was a perfect way to close the album. Nevertheless, given that Hideaway was released in the vinyl era, the consistency of an instrumental number closing both Side A and B, of the vinyl release, makes logical sense and was a commonly used technique during the heyday of the vinyl record. 

Hideaway stands as a testament to the band's musical maturity and willingness to experiment with different sounds. The album's cohesive flow, coupled with strong songwriting and polished production, makes it a notable addition to America's discography and the 70s classic rock scene. While it may be cemented firmly in nostalgia, Hideaway perfectly encapsulates the saying that they don’t make music like this anymore.